Archive Search

  • Wiener, Norbert. Cybernetics (Second Edition). Cambridge, MASS: The MIT Press, 1965.
  • Munster, Anna. An Aesthesia of Networks. Conjunctive Experience in Art and Technology. Cambridge, Mass.: MIT Press, 2013.
  • Andres Burbano and Paul Thomas. Between punched film and the first computers, the work of Konrad Zuse. In Relive : Media Art Histories, edited by Sean CubittCambridge, Mass.: MIT Press, 2013.
  • Gessert, Georg. Green Light. Toward an art of evolution. Cambridge/Mass.: MIT Press, 2010.
  • Sito, Tom. Moving Innovation: A History of Computer Animation. 1st Edition th ed.Cambridge, Mass. USA: MIT Press, 2013.
  • Gabriela Galati holds a BA and MA in History of Art from the Universidad de Buenos Aires, and a PhD from Plymouth University, for which her research focused on art theory, media and technology. Currently, she is Professor of Theory and Methodology
  • The formal visual aspect of the Reflections v2 series is strongly tied to the aesthetic of Minimal Art. It reduces its abstract vocabulary to visual representations of the number one and zero sculpted as lines (one) and rings (zero). This reduction
  • Aceti, Lanfranco. Interactive Integrated Media In the ‘Agon’ of Convergence Massachusett Institute of Technology, Conference MIT3: Television in Transition (May 2003).
  • A human sized real kaleidoscope creates colorized feedback patterns from faces. Exhibited at the Massachusetts Institute of Technology, and the SIGGRAPH 1988 Art Show in Atlanta.
  • Poetica Vaginal -
    In this project, Davis broadcast recorded vaginal contractions of ballerinas and beamed this interpretation of ‘human conception’ to the Epsilon Eridani and Tau Ceti star systems using Massachusetts Institute of Technology’s Millstone radar. In