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  • Notes on Artificial Games
    Seaman, Bill. Notes on Artificial Games In Visual Proceedings - Computer Graphics Siggraph ´93, Anaheim: 1993.
  • 'Fire and Air', 'Laberint'
    Allen, Rebecca. 'Fire and Air', 'Laberint' In Visual Proceedings, edited by John Grimes and Gray LorigChigaco: 1992.
  • Alba D'Urbano
    Alba D'Urbano is an artist from Italy. She studied philosophy and painting in Rome and studied visual communication in Berlin (Hochschule der Künste). Since 1995 she is professor of computer graphics at the “Hochschule für Grafik und Buchkunst” in
  • Maria Fernandez
    María Fernández is Associate Professor in the Department of History of Art and Visual Studies at Cornell University and currently serves as Director of Graduate Studies. She received her doctorate in art history from Columbia University in 1993. Her
  • Fabio Fon
    FÁBIO OLIVEIRA NUNES (or Fabio FON) is a Brazilian multimedia artist, digital designer and higher education professor, working among other areas in the studies of hypermidia, web art, media art and poetics of visual. One of his studies is the Web
  • Pockets Full of Memories
    Legrady, George. Pockets Full of Memories In Visual Communication, edited by Theo Van LeeuwenVol.1. , 163-169. London: Sage Publications, 2002.
  • MIC Exploration Space
    Sommerer, Christa and Laurent Mignonneau. MIC Exploration Space In Siggraph’96 Visual Proceedings, New York: ACM, 1996.
  • Responsive Workbench
    Fleischmann, Monika and Wolfgang Strauss. Responsive Workbench In Visual Proceedings, Annual Conference Series 1994, edited by ACMNew York: ACM Siggraph, 1994.
  • Aspects of the Aesthetics of Telecommunications
    Kac, Eduardo. Aspects of the Aesthetics of Telecommunications In Siggraph ´92 Visual Proceedings, edited by John Grimes and Gray Loring, 48. New York: ACM, 1992.
  • Esteban Garcia Bravo
    Inspired both by constructivist avant-gardes and cognitive psychology, Garcia uses shape to test the senses and push the boundaries of visual assumptions. His work looks past the idea of shape as a function and instead explores its endless
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