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  • Re-Writing the History of Media Art: From Personal Cinema to Artistic Collaboration
    ...Kluszczyński, Ryszard W.. Re-Writing the History of Media Art: From Personal Cinema to Artistic Collaboration Leonardo 40, no. 5 (2007): 469-474.
  • ReVisioning the Virtual Wall
    ... the 20th anniversary of the collapse of the Berlin Wall for the first time internationally the large format collages of the artist team T+T, which are based on their interactive 3D installation "Virtuelle Mauer/ReConstructing the Wall". The exhibition took...
  • Processes: The Artist and the Machine. The audiovisual as register and memory in Media Art -
    ... public display, the audiovisuals of the MIDE´s documentary archive, dialoguing with some of its most meaningful tangible artworks from its Electrographic Art Collection. Few audiovisuals that allow reflecting on the concept of process which revolutionized...
  • SECURITY IN OUR SOCIETY: WHAT REMAINS OF OUR PERSONAL FREEDOMS? -
    ... passivity, suspicion, surprise, or fear. make-A-move invites members of the public to a game of cause and effect. The artist playfully engages questions about mutual scrutiny and also points to the psychological, personal and collective cost of...
  • Interface Cultures. Artistic Aspects of Interaction
    ...Christa Sommerer, Laurent Mignonneau, Dorothée King, ed. Interface Cultures. Artistic Aspects of Interaction. Linz: Christa Sommerer, Laurent Mignonneau, Dorothée King, 2008.
  • CAPTAS: an urban-mobile artistic intervention in Brazil
    ...NUNES, Fabio Oliveira and Braz BRAZ. CAPTAS: an urban-mobile artistic intervention in Brazil BST: Body, Space and Technology Journal (Brunel University) 11, no. 2 (2013).
  • CAPTAS: an urban-mobile artistic intervention in Brazil
    ...NUNES, Fabio Oliveira and Soraya BRAZ. CAPTAS: an urban-mobile artistic intervention in Brazil BST: Body, Space and Technology Journal (Brunel University) 11, no. 2 (2013).
  • Creatures #4 -
    ... schemes are based on ASCII, though they support many additional characters. The term is also used to refer to visual art in general based on text. Who is Pier Giorgio De Pinto? Pier Giorgio De Pinto (I/CH) is a trans-disciplinary artist, a performer,...
  • make-A-move -
    ...The Montreal artist-run centre TOPO is a laboratory for digital writings and creations for web, performance, and installation spaces. Its mandate is to incubate, produce, and circulate original multimedia artworks that explore interdisciplinary and intercultural...
  • CAPTAS: an urban-mobile artistic intervention in Brazil
    ...NUNES, Fabio Oliveira and Braz BRAZ. CAPTAS: an urban-mobile artistic intervention in Brazil BST: Body, Space and Technology Journal (Brunel University) 11, no. 2 (2013).
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