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  • VINCI'23 -
    “BichEden: Folds” uses philosophy of ecology and scientific concepts related to food web communities as empirical grounding for associative thinking in the creation of imaginative 3D visualizations. Driven by how the Anthropocene extinction is
  • BichEden: Folds - video
    “BichEden: Folds” uses philosophy of ecology and scientific concepts related to food web communities as empirical grounding for associative thinking in the creation of imaginative 3D visualizations. Driven by how the Anthropocene extinction is
  • International experts in Cavan for Seeing Beyond The Lens’
    Hogan, Sinead. International experts in Cavan for Seeing Beyond The Lens’ Anglo-Celt (July 2010): http://www.anglocelt.ie/news/roundup/articles/2010/07/14/3998539-international-experts-in-cavan-for-seeing-beyond-the-lens/print.
  • VideoFest '91
    1991 – the character of the programme has become more angular than before; there are more works that irritate in form and content, more documentaries that ry to find an innovative formal language for exciting topics, surprisingly more works that use
  • Cell Tango video
    Merging art with technology, conceptual artists George Legrady and Angus Forbes have transformed ubiquitous and often annoying cell phones into paint brushes for the 21st century. Their new multimedia video installation "Cell Tango" at Wellesley
  • Retelling - video
    Fragments of the image "At the Bar" are continuously re-ordered each time resulting in a new composition. With George Legrady's artistic direction, Angus Forbes contributed the visualization software.
  • Les artistes 100 tetes: Multitext, Xenomoney, Xenospace
    Cameron, Angus. Les artistes 100 tetes: Multitext, Xenomoney, Xenospace .
  • Jäger und Gejagte – Insekten in der Gegenwartskunst -
    2012 MUSEUM VILLA ROT (25.March.2012 until 17.June.2012) Exhibition: "Jäger und Gejagte," Curator: Stefanie Dathe Artists: Jennifer Angus, Jana Eske, Jan Fabre, Tessa Farmer, Lili Fischer, Kirsten Geisler, Douglas Gordon, Cornelia Hesse-Honegger,
  • infocidio 2.0
    Casares, Nilo. infocidio 2.0 In II Congreso Internacional de Investigación en Artes Visuales ANIAV 2015, edited by Asociación Nacional de Investigadores en Artes Visuales (ANIAV)Vol.1. , 4. Valencia, Spain: ANIAV, 2015.
  • “Es ist okay, geflasht zu sein”
    Meyer, Anika. “Es ist okay, geflasht zu sein” Monopol - Blog (July 2017).
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