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  • ...Recorders is a major new exhibition by Mexican-Canadian electronic artist Rafael Lozano-Hemmer. The artworks in Recorders see, hear and feel the actions of people around them, using technology to create a playful yet ominous experience. This solo exhibition features...
  • ...Christa Sommerer, Laurent Mignonneau, Dorothée King, ed. Interface Cultures. Artistic Aspects of Interaction. Linz: Christa Sommerer, Laurent Mignonneau, Dorothée King, 2008.
  • ...NUNES, Fabio Oliveira and Braz BRAZ. CAPTAS: an urban-mobile artistic intervention in Brazil BST: Body, Space and Technology Journal (Brunel University) 11, no. 2 (2013).
  • ...NUNES, Fabio Oliveira and Soraya BRAZ. CAPTAS: an urban-mobile artistic intervention in Brazil BST: Body, Space and Technology Journal (Brunel University) 11, no. 2 (2013).
  • ...NUNES, Fabio Oliveira and Braz BRAZ. CAPTAS: an urban-mobile artistic intervention in Brazil BST: Body, Space and Technology Journal (Brunel University) 11, no. 2 (2013).
  • ...user_mode is an international, multidisciplinary symposium looking at interactive art and design practices. It examines how creative practitioners engage the emotions of the audience/user. What is meant by emotional engagement? Is it immersion, rapture, agency,...
  • ...Microwave Media Art Festival 2003 - Hong Kong The "Microwave International Media Art Festival" is an international festival in HONG KONG, which aims to promote cultural exchange and appreciation of new media art. MIMFA - the annual video art event in Hong Kong,...
  • ...NUNES, Fabio Oliveira and Braz BRAZ. CAPTAS: an urban-mobile artistic intervention in Brazil BST: Body, Space and Technology Journal (Brunel University) 11, no. 2 (2013).
  • ...NUNES, Fabio Oliveira and Braz BRAZ. CAPTAS: an urban-mobile artistic intervention in Brazil BST: Body, Space and Technology Journal (Brunel University) 11, no. 2 (2013).
  • ...NUNES, Fabio Oliveira and Braz BRAZ. CAPTAS: an urban-mobile artistic intervention in Brazil BST: Body, Space and Technology Journal (Brunel University) 11, no. 2 (2013).