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  • Survey of Prints -
    ...3 the Museum purchased Atlas Procession I, a print by William Kentridge, the first work by this internationally renowned South African artist in the SCMA collection. This fall, Kentridge is the subject of a major exhibition at SCMA, William Kentridge Prints, which...
  • ...Penny, Simon. The Virtualisation of Artistic Practice: Body Knowledge and the Engineering World View CAA Art Journal (Fall 1997).
  • ...Scholder, Amy and Jordan Crandall, ed. Interaction: Artistic Practice in the Network. New York: Distributed Art Publishers, 2001.
  • ...Maharaj, Sarat. Unfinishable Sketch of an Object in 4D: Scenes of Artistic Research In Artistic Research, edited by Annette Balkema and Henk Slager, 50. Amsterdam, New York: Lier and Boog, 2004.
  • ...Reinhuber, Elke. Decidophobia – an artistic research on the possibilities of immersive environments ICONO14. Journal of Communication and Emergent Technologies 12, no. 2 (August 2014): 206-229.
  • William Kentridge -
    ...William Kentridge, a native of Johannesburg (b. 1955), is an internationally acclaimed artist whose multimedia works present an arresting and forceful commentary on the contemporary cultural and sociopolitical issues in South Africa. Inspired by music, opera,...
  • ... a film transferred to laser disk which is based on the drawings. Kentridge's homeland, South Africa, figures largely in his artwork, which allegorically renders the charged relationship between oppressor and the oppressed in reference to South Africa's...
  • ...Kluszczyński, Ryszard W.. Artistic Gesture: Expression, Communication, Participation In Mirosław Rogala: Gestures of Freedom, edited by Ryszard W. KluszczyńskiKraków: Laznia Centre for Contemporary Art, 2001.
  • ...Kluszczyński, Ryszard W.. Re-Writing the History of Media Art: From Personal Cinema to Artistic Collaboration Leonardo 40, no. 5 (2007): 469-474.
  • "Stair Procession" -
    ... is a white-on-black drawing similar to white chalk graffiti. The constricted nature of the staircase played a role in the artist's decision to use anamorphic distortions. Kentridge evokes the building’s original function as a public school in establishing...