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  • Wittwer, Samuel and Mark Gisbourne, ed. B.A.R.O.C.K. Artistic interventions in the Caputh Palace. Editor: Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg. https://edition-cantz.com/produkt/b-a-r-o-c-k/?lang=en. Vol.1. -, - th
  • Wittwer, Samuel and Mark Gisbourne, ed. B.A.R.O.C.K. Artistic interventions in the Caputh Palace. Editor: Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg. https://edition-cantz.com/produkt/b-a-r-o-c-k/?lang=en. Vol.1. -, - th
  • Public Meteorit Watching Event Date: Nov. 16th 2010, starting at 6:30pm expected impact time: 20:33pm Location: meadows behind Kauwstraat 10, 9500 Herzele, Sint Lievens Esse, Belgium Herzele is about 40 km from Brussels and a rather small
  • Subtitled Public -
    Subtitled Public consists of an empty exhibition space where visitors are detected by a computerised surveillance system. When people enter the space, the system generates a subtitle for each person and projects it onto him or her: the subtitle is
  • "Subtitled Public," 2005 computer, custom software, camera, projector variable dimension interactive installation Installation view at Sala de Arte Público Siqueiros, Mexico City, México. "Subtitled Public" consists of an empty exhibition space
  • The "Tropospheric Laboratory" allows insights into cloud cores and other matter of the apogee. The installation narrates the synthesis of clouds and shows varying conditions and combinations of art and science in the absence of weight. The
  • The Teacup Tools are an array of cybernetic teacups, adapting themselves to the realm of climate related sciences.They appear as a multifunctional tool for the investigation of tiny micro clouds above tea, for communication and for tea drinking.
  • Agnes Meyer-Brandis is an Artist who concentrates on the Interface of Art and science. Other themes of her are the search for differentiation of fact and fiction, fantasy and Technology.
  • Habeas Corpus is a permanent large scale publicly sited immersive interactive installation composed of two parts. The first part is encountered on entering the subterranean area of the Allen and Overy building in the City of London. As the viewer