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  • Jane Tingley is an artist, curator and Assistant Professor at York University. Her studio work combines traditional studio practice with new media tools - and spans responsive/interactive installation, performative robotics, and telematically
  • Mari Velonaki has worked as an artist and researcher in the field of interactive installation art since 1995. Velonaki has created interactive installations that incorporate movement, speech, touch, breath, electrostatic charge, artificial vision
  • Sommerer, Christa and Laurent Mignonneau. The Application of Artificial Life to Interactive Computer InstaIlations In AROB’97 International Symposium on Artificial Life and Robotics, Conference Proceedings, , 11-15. Oita: Oita University, 1997.
  • Goldberg, Ken and Matthew T. Mason and Russell H. Taylor. Sensor-Based Manipulation Planning as a Game with Nature In Robotics Research, edited by R. Bolles and B. RothCambridge, MAS: MIT Press, 1987.
  • Sommerer, Christa and Laurent Mignonneau. PICO_SCAN: Using Body Data to Create Artificial Life Forms In AROB 5th International Symposium on Artificial Life and Robotics Conference Proceedings, , 124-127. Oita: Oita University, 2000.
  • Sommerer, Christa and Laurent Mignonneau. Life Spacies: A Genetic Text-to-form Editor on the Internet In AROB’99 International Symposium on Artificial Life and Robotics Conference Proceedings, , 73-77. Oita: Oita University, 1999.
  • An Australian electronic musician, video artist and electronic engineer. "I have been active in video production since 1974. My first involvement was with Bush Video and the Paddington Video Access Centre where I learnt video editing and technical
  • Giannetti, Claudia, ed. Arte Facto & Ciencia. Marcel-lí Antúnez Roca. Madrid, Spain: Fundación Telefónica, 1999.
  • Event: Bòlit, Centre d'Art Contemporani - Girona (Spain) Curator : Rosa Pera RocaInstitution: Ars Electronica Linz GmbH & Co KGComment:
  • Mordà, Claudio and Gianluigi Rocca and Adriano Abbado. Immagini con il computer: le tecniche, l’arte. : Arnoldo Mondadori Editore, 1985.