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  • The media art installation Multiverse by Paul Thomas and Kevin Raxworthy is based on research developed from Richard Feynman’s 1979 video lectures where his presentation of diagrams on the blackboard visualises the probability of photons reflecting
  • Victoria Vesna, Ph.D., is a media artist and Professor at the UCLA Department of Design | Media Arts and Director of the Art|Sci center at the School of the Arts and California Nanosystems Institute (CNSI). She is currently a senior researcher at
  • Vesna, Victoria. From Bodies to Networks to Nanosystems and Back Artmedia VIII (2003).
  • Event: LASER: Leonardo Art Science Evening RendezvousInstitution: California Nanosystems Institute @ UCLAComment:
  • T-wo.gen
    The text from The World Generator / The Engine of Desire was printed out and put into a physical installation. The spoken text was presented in the space. The Illusive Nature of Context: The Negotiation of the Thoughtbody Bill Seaman The World
  • Inversion (2001) is a new dance/installation, a collaboration with the Dancer/Choreographer Regina van Berkel that explores the topic of Nanotechnology through a poetic text, a musical score, the A Hybrid Invention Generator like system functioning
  • Innovation Forum -
    The INNOVATION FORUM is an issue-based interactive multimedia forum on innovation and technology that solicits real-time comments from its viewers. The exhibit features real-time ability for visitors to record and playback audio/video comments.
  • The Wanderkino deals with the Art and Science under the absence of weight. As a mix of film, performance and lecture it shows flying machines with mechanisms based on gravity and weightlessness, examines cloud cores and presents a gravimetric
  • Kera Denisa. Innovation regimes based on collaborative and global tinkering: Synthetic biology and nanotechnology in the hackerspaces Elsevier- Technology in Society (2013): 10.
  • Kera, Denisa. The Museum as a 21st Century Bestiary: Biotechnology, Nanotechnology and Art Between Protocols and Manifests cience Exhibitions: Curation & Design (2010): 196.