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Grafenauer, Petja. Vanitas Equrna Gallery, Ljubljana, Slovenia (http://www.ursulaberlot.com/wp-content/uploads/2019/12/Grafenauer-Petja.-2012.pdf 2012).

Sommerer, Christa and Laurent Mignonneau. VERBARIUM In Ars Electronica ´99 - Cyberarts99, , 52-53. New York, Vienna: Springer Verlag, 1999.

Ferreira, Helena. Da Imagem Projectada Spectrum: Novos Funcionamentos Artísticos da Imagem , no. CIEBA-FBAUL: Lisboa (2012): 40 - 48.

Fujihata, Masaki. On Interactivity / Interaktivität In Ars Electronica 2001: TAKEOVER - Who´s Doing the Art of Tomorrow?/ Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine SchöpfVienna, New York: Springer, 2001.

Weibel, Peter. Die digitale Bildrevolution In Leuchtspuren. Holographie, Licht und Computer. Kampnagelfabrik, Halle O, Hamburg vom 23.3. bis 5.5.1985, edited by Gabriele Juschka-KaiserHamburg, DE: Rheinland-Verlag, 1985.

Grau, Oliver. Database of Virtual Art In Ars Electronica 2005: Hybrid - Living in Paradox, edited by Gerfried Stocker and Christine Schöpf, 404-405. Ostfildern-Ruit: Hatje Cantz, 2005.

Ray, Thomas. An Approach to the Synthesis of Life In Artificial Life II, edited by Christopher Langton and Charles Taylor and Steen et. al. RasmussenVol.XI. , 371 - 408. Redwood City, California: Addison-Wesley, 1991.

Weibel, Peter. Transformationen des Films In Die Schatten im Silber. Österreichische Avantgard-Filme 1976-1987, edited by Lisl Ponger and Wolfgang Drechsler, 8-9. Wien: Museum des 20. Jahrhunderts, 1987.

Kittler, Friedrich Adolf. Protected Mode In Strategien des Scheins. Kunst - Computer - Medien, edited by Florian Rötzer and Peter Weibel, 256-267. München: Boer Verlag, 1991.

Blais, Joline and Jon Ippolito. At the Edge of Art. London: Thames & Hudson, 2006.