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  • "Reference Flow," 2009 1 or 5 Neon Exit Signs, motors, computerized surveillance tracking system, slip rings, custom software dimensions variable edition of 6, 1 AP "Reference Flow" is an interactive installation where a number of illuminated
  • The Trace
    Lozano-Hemmer, Rafael. The Trace In Ars Electronica ´95 Compendium (Prix Ars Electronica 1995), Linz: 1995.
  • Lozano-Hemmer, Rafael. Del tecno-parásito al cibernauta Lateral (June 1996).
  • Lozano-Hemmer, Rafael. Floating Trout Space, Interview with Lawrence Paul Yuxweluptun Telepolis, Heise online (July 1996).
  • Lozano-Hemmer, Rafael. Televerkörperung in Trace Kunstforum International (January 1996).
  • Lozano-Hemmer, Rafael. Arte Electronico: Pervirtiendo lo tecnológicamente correcto Movimiento Actual (November 1997).
  • "Seismoscope 2: Abu Hamid Muhammad ibn Muhammad al-Ghazali", 2009 Persian (1058-1111), author of "The Incoherence of Philosophers" 16.1" x 17.7" x 6.7" / 41 x 45 x 17 cm, XY Plotter 45.2" x 16.1" x 17.7" / 115 x 41 x 45 cm podium 11" x 17" / 28
  • "Solar Equation," 2010 Aerostat, 5 HD projectors, 7 computers, custom software 14m / 48' balloon "Solar Equation" is a large-scale public art installation that consists of a faithful simulation of the Sun, 100 million times smaller than the real
  • Lozano-Hemmer, Rafael. Displaced Emperors, Relational Architecture 2 In Ars Electronica 1997: Fleshfactor / Informationsmaschine Mensch, edited by Gerfried Stocker and Christine SchöpfLinz: 1997.
  • Lozano-Hemmer, Rafael. Re:Positioning Fear, Relational Architecture 3 In Internationale Biennale Film und Architektur, Graz, AUT: 1997.