Archive Search

Basanta, Adam and Arne Eigenfeldt. Perceptual Analysis of Gesture Interaction Typologies in Acousmatic
Music In Seventh Electroacoustic Music Studies Network Conference, Shanghai: EMS 10, 2010.

Basanta, Adam. Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach
to Electroacoustic Composition Organised Sound 15, no. 2 (August 2010): 125-132.

Salter, Chris. Entangled: Technology and the Transformation of Performance. Cambridge, MASS: The MIT Press, 2010.

Salter, Chris. Timbral Architecture | Aurality´s Force: Music and Sound in the Choreographies
of William Forsythe In William Forsythe and the Practice of Choreography, edited by Steven SpierLondon, UK: Routledge Press, 2010.

The Maestro: A Conversation with William KentridgeAuthor: Anthony Haden-Guest

Marta de Menezes. Investigação em Arte NADA 15 (2010).

Grau, Oliver. Media Art & Digital Humanities Technology Imagination Future: Journal for Transdisciplinary Knowledge Design 4, no. 1 (2010): 1-22.

Grau, Oliver. Media Art & Digital Humanities Technology Imagination Future: Journal for Transdisciplinary Knowledge Design 4, no. 1 (2010): 1-22.

Grau, Oliver and Jonathan P. Bowen and Kia Ng. Renewing Knowledge Structures for Media Art In EVA London 2010: Electronic Visualisation and the Arts, edited by Alan Seal, 286-295. Swindon: British Computer Society, 2010.

Beesley, Philip, ed. KINETIC ARCHITECTURES AND GEOTEXTILE INSTALLATIONS. Toronto: Riverside Architectural Press, 2010.