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Reload: Rethinking Women + Cyberculture
2002
Flanagan, Mary and Austin Booth, ed. Reload: Rethinking Women + Cyberculture. Cambridge, MA: MIT-Press, 2002.
The Bride Stripped Bare to Her Data: Information Flow + Digibodies
2013
Flanagan, Mary. The Bride Stripped Bare to Her Data: Information Flow + Digibodies In The Feminist and Queer Information Studies Reader, edited by Patrick Keilty and Rebecca Dean, 13-47. Sacramento, CA: Litwin Books, 2013.
Genesis
2004
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2004
Event: GenesisInstitution: Mary and Leigh Block Museum of ArtComment:
Situated Realities
2002
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2002
Event: Situated RealitiesInstitution: Maryland Institute College of Art, BaltimoreComment:
Maryland Institute College of Art, Baltimore
The Value of Art
2013
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2013
2013 The Brick Lane Gallery (28. Februar bis 11. März 2013 ) Annex 93-95 Sclater St. E16HR, London, England
Komputer marzy
1995
Eczorek, Ewa. Komputer marzy Gazeta Stoleczna (April 1995).
ZENetic Computer
2003
ZENetic Computer is an interactive experience that evokes "self-awakening," a particular cognitive response to processing reality via subliminal consciousness. It uses stories portrayed in sumie (ink painting), haiku and kimono which display
Zonas de contactoArt History in a Global Network
2022
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2022
Twenty years ago, Mary Louise Pratt proposed the notion of a “contact zone” as a place where culture is negotiated and challenged. Art can bridge or destabilize disciplines and methods in ways that reframe histories and bring new insights. Still, on
Doug Aitken
Born 1968 in Redondo Beach, California (USA); 1986-1987 studied at Marymount College, Palos Verdes, CA; 1987-1991 studied at the Art Center College of Design, Pasadena, CA. Aitken lives and works in Los Angeles (USA). Aitken belongs to a generation
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