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Os ambientes interativos como mediadores na construção de duplos digitais.
2016
Tavares, Monica. Os ambientes interativos como mediadores na construção de duplos digitais. Anais do 15 Econtro Internacional de Arte e Tecnología Brasilia, Brasil: Universidade de Brasilia , no. ISSN 2238-0272 (February 2016): 405-406.
Futuros Possiveis: Arte, Museus e Arquivos Digitais / Possible Futures: Art, Museums and Digital Archives
2015
Beiguelmann, Giselle and Ana Gonzalves Magalhäes, ed. Futuros Possiveis: Arte, Museus e Arquivos Digitais / Possible Futures: Art, Museums and Digital Archives. Vol.1. 055-08-050, 1 th ed.Sao Paulo: Universidade de Sao Paulo, 2015.
Searching instead of Finding: The Digital Archive as Find Engine.
2014
Fleischmann, Monika and Wolfgang Strauss. Searching instead of Finding: The Digital Archive as Find Engine. In Futuros Possíveis: Arte, Museus e Arquivos Digitais, edited by Giselle BeiguelmanSão Paulo: Periópolis/ Edusp, 2014.
Silicon Babe
1992
-
1994
Digital Print Installation
Virtual Concrete
1995
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1997
Virtual Concrete consists of six 3-ft slabs of concrete covered with large electrostatic (digital output) prints, along with light sensors and a computer connected to the Internet via a CU-SeeMe camera. The website www.arts.ucsb.edu/ concrete allows
The Tele-Actor
2001
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2001
We are studying network-based systems that allow groups of users to "explore" live remote environments such as a rainforest, biotechnology lab, political rally, or rock concert. The "Tele-Actor" is a skilled human with cameras and microphones
Quarxs
1989
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1989
video
Quarxs was one of the earliest computer animated series (3D Computer graphics, 12 films on total of three minutes each). Persiflage of science shows on TV, playful and fantastic exploration of digital graphics and questioning the order of things in
The Trace
1995
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1995
video
"The Trace" is a telepresence installation that invites two participants in remote sites to share the same telematic space. The piece consists of vectors, sounds and graphics that respond to the movement of the participants. Two interactive stations
Infiltrate
2003
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2003
In the center of the room, on a riser approximately 5 feet tall, a square fish tank, bare, approx 2x3x4 feet, spotlit from above. Inside swim 6 fat koi fish, one gold, the others white On one wall the video projector displays a computer animated
conscious love
1999
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1999
The installation was conceived for the art show 'amour et conscience', Paris, 1999 (Atelier Sévigné, 9/9/99 - 9/12/99). It consists of three parts: Five curtains, representing consciousness, digital word-picture-prints on
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