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  • Erratum 1
    In the Erratum series of biopoems, pairs of words are seen in a field in which layers of colors embed and dissolve the verbal forms. The pairs always produce semantic tension. Alive as the biotopes are, lexical form and color are unstable and always
  • Greimas, Algirdas Julien. Sémantique structurale: Recherche de methode. Paris: Larousse, 1966.
  • ” … Il semble que l’être volant dépasse l’atmosphère même où il vole. ” *** (It seems that the flying being exceeds even the atmosphere where he flies.) -Nuit Bleue- is the first ‘logbook’ of the TRAVELOG series : An assemblage of travels, of
  • conscious love -
    The installation was conceived for the art show 'amour et conscience', Paris, 1999 (Atelier Sévigné, 9/9/99 - 9/12/99). It consists of three parts: Five curtains, representing consciousness, digital word-picture-prints on
  • sens:less -
    sense:less is a place for humans to experience a stranger alternate reality. Through VR technology and a custom made body suit sense:less puts the user in a multi-sensory environment. This is a dramatic space, influenced by theatre, and the
  • His Master's Voice -
    HMV is a board game. The players can move semi-autonomous ball robots by making sounds. Form and gravity collude with voice, board and chance. Each ball listens to a certain pitch and starts to move if the right frequency was hummed or sung. The
  • Plane -
    Three destinations host this performance, which consists of producing the same “micro-action” of throwing a paper plane. A video relates the stages of these initiation voyages to a Stalin- era building in Moscow, to the Grand Canyon in Arizona and
  • Brain Factory is an installation that allows the audience to give a shape to human abstractions through Brain-Computer Interaction (BCI), and then to convert the resulting form into a physical object. The work examines the human specificity through
  • Brain Factory is an art installation that allows the audience to give a shape to human abstractions through Brain Computer Interaction (BCI), and then to convert the resulting form into a physical object. The work examines the human specificity
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