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  • JORDAN CRANDALL – DRIVE -
    Curator: Peter Weibl The exhibition is accompanied by a 256-page book, which serves as a catalogue of the exhibition and also contains a collection of Crandall's writings from the years 1994-99. A symposium will also take place during the
  • Henrik Menné
    Whether they are dynamic or static; sculptures by Henrik Menné are basically about process, balance and about organizing matter through both rigid systems and chance. The major part of Mennés production consists of large-scale machines or
  • Michael Naimark
    Michael Naimark is a media artist and researcher who often explores "place representation" and its impact on culture. He has served as faculty in the USC School of Cinematic Arts' Interactive Media Division (2004-09), the NYU Tisch School of the
  • Dinka Pignon
    Dinka Pignon is an interdisciplinary media artist working with spatial video installation and performance art. Her experimental practice is characterized by a strong affinity for the phenomenal, liminal, conceptual and minimal. Her work is situated
  • British Avantgarde -
    ... Haarlemmerméér GroenComment:
  • Place - a user's manual -
    Event: Place - a user's manualInstitution: City GalleryComment:
  • Floriade, World Horticultural Exhibition -
    ... Haarlemmerméér GroenComment:
  • Universal Experience - Art, Life and the Tourist’s Eye -
    Showing for the first time in the UK, The Moment is a vast kaleidoscopic audio-visual installation by Doug Aitken, capturing the acute sense of disorientation experienced on waking in an unfamiliar place.
  • Graham Nicholls
    In 1999 Graham Nicholls had his first solo show in New York City. This was to launch him onto an international arena. Since that time his work has become more and more experimental and cutting edge. With work such as LAM exploring the possibilities
  • Rachel Strickland
    Rachel Strickland describes herself as an architect who practices in motion picture media more than pencil and paper. Her work of the past 25 years has focused on cinematic dimensions of the sense of place, and new paradigms for narrative
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