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March
1996
-
1997
In his children's novel Haroun and the Sea of Stories, Salman Rushdie describes an Ocean of Streams of Story containing currents of narrative in fluid form, "weaving in and out of one another like a liquid tapestry of breathtaking complexity."
Beauty and the Beast - The Conjugal Bed
1988
Multi-media found object and audio installation. The handsome young god Amor comes only at night under the cover of darkness to lie with his mortal wife, Psyche. To protect her from the wrath of his jealous mother Venus he has Psyche and her family
Digital Aesthetics. Theory, Culture and Society
1998
Cubitt, Sean. Digital Aesthetics. Theory, Culture and Society. London, New York: Sage, 1998.
Wiener Aktionismus und Aktionstheater in München
2015
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2015
2 lectures (Oliver Jahraus, Thomas Dreher), 2 actions (FLATZ, Alexeij Sagerer & proT)
Bill Viola
Bill Viola has been instrumental in the establishment of video as a vital form of contemporary art, and in so doing has helped to greatly expand its scope in terms of technology, content, and historical reach. For 40 years he has created videotapes,
Ornitorrinco in the Sahara (St. Petersburg Biennale, The School of The Art Institute of Chicago, Aldo Castillo Gallery)
1996
Event: Ornitorrinco in the Sahara (St. Petersburg Biennale, The School of The Art Institute of Chicago, Aldo Castillo Gallery)Institution: the School of the Art Institute of Chicago (SAIC)Comment:
Sähköiset unet - Musiikkivideot: miten taiteesta tuli pop
1992
Alanen, Antti and Ilppo Pohjola. Sähköiset unet - Musiikkivideot: miten taiteesta tuli pop. Helsinki: VAPK-Kustannus, 1992.
Trigger
2002
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2002
"Part soft-core pornography, part political allegory and part Modernist play with media," Jordan Crandall's Trigger is a "sermon about masculinity, sex, surveillance, and violence." (Ken Johnson, The New York Times, 15 Nov 2002). "The work
Brian Reffin Smith
Working with computer based arts since the late 1960s. There should be humour and politics, at least sometimes, in art. Especially the humour and politics of digital art. I think art should be a more or less systematic enquiry whose goal is
Nemo Observatorium
2002
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2010
Styrofoam beads are blown around in a big transparent PVC cylinder by five strong fans. Visitors can take place on the armchair in the middle of the whirlpool or observe from the outside one at a time. On the chair, in the eye of the storm it is
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