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ARCHITETTURA DI MOSTRA. 9 progetti per lo spazio espositivo della galleria A.A.M.
1996
Alessi, Alberto and Francesco Moschini, ed. ARCHITETTURA DI MOSTRA. 9 progetti per lo spazio espositivo della galleria A.A.M.. Rome: A.A.M. Architettura Arte Moderna, 1996.
Der Computer als Medium und als Maschine
1993
Esposito, Elena. Der Computer als Medium und als Maschine Zeitschrift für Soziologie 22, no. 5 (Oktober 1993): 338-354.
Illusion und Virtualität: Kommunikative Veränderungen der Fiktion
1995
Esposito, Elena. Illusion und Virtualität: Kommunikative Veränderungen der Fiktion In Soziologie und künstliche Intelligenz: Produkte und Probleme einer Hochtechnologie, edited by Werner RammertFrankfurt/Main: Campus Verlag, 1995.
Interaktion, Interaktivität und die Personalisierung der Massenmedien
1995
Esposito, Elena. Interaktion, Interaktivität und die Personalisierung der Massenmedien Soziale Systeme , no. 2 (1995): 225-259.
Fiktion und Virtualität
1998
Esposito, Elena. Fiktion und Virtualität In Medien, Computer, Realität, edited by Sybille Krämer, 269-296. Frankfurt/ Main: Suhrkamp, 1998.
Mentalizing about emotion and its relationship to empathy
2008
Christine Hooker and Sara Verosky and Laura Germine and Robert Knight and Mark D'Esposito. Mentalizing about emotion and its relationship to empathy Social Cognitive and Affective Neuroscience , no. 3 (2008): 204-217.
Mentalizing about emotion and its relationship to empathy
2008
Christine Hooker and Sara Verosky and Laura Germine and Robert Knight and Mark D'Esposito. Mentalizing about emotion and its relationship to empathy Social Cognitive and Affective Neuroscience , no. 3 (2008): 204-217.
Art, Technology and Computer Science
1986
Ascott, Roy. Art, Technology and Computer Science In XLII Esposizione d´Arte: La Biennale di Venezia, edited by Maurizio Calvesi, 187-188. Venezia: Edizione La Biennale, 1986.
Mixed Borders and Hybrid Identities
2013
Event: Mixed Borders and Hybrid IdentitiesInstitution: Palazzo delle esposizioniComment:
White Cube
2011
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2011
The spirit of contemporary art Most of the sensible minds have understood, since now long, that there is no reason to produce significant artwork nor explore virgin territories. It is a fundamental fact: it has to « be like contemporary art »…as
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