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Absolutismus und Exzentrik. Die Kunst des Entschwindens
1993
-
1993
Event: Absolutismus und Exzentrik. Die Kunst des EntschwindensInstitution: Centro TecnopolisComment:
Absolutismus und Exzentrik. Die Kunst des Entschwindens
1993
-
1993
Event: Absolutismus und Exzentrik. Die Kunst des EntschwindensInstitution: Galleria d' Arte ContemporaneaComment:
Smoke Screen Cipher, The Trap Interiors series
2009
-
2013
Unsorted cipher absorbed in copiousness.
The pavillion of post-contempary curating: +MUPCA
2009
-
2009
Museum of Post-Contemporary Art (MuPCA) in The Dump Paris est une ville qui semble croire à un déterminisme calendaire qui affecterait l’histoire de l’art et plus encore l’architecture de sa conservation. Orsay: un musée du XIXe siècle, le Centre
framework f5x5x5
2007
-
2009
Framework i
s a
kinetic light sculpture constituted by five modules. Each of these modules is constituted of 5 horizontal and 5 vertical square elements, e
sta
blishing a grid of 5x5x5 =125 frames. This resolution writing is present in the project
Unexpected Growth
2018
-
2019
Perturbations in the natural order have torn the fabric of the
spa
ce-time continuum, and unexpected growth
s a
re seeping into our world - perhaps from our own future. Augmented reality apps transform our mobile devices into "ARscopes;" allowing us to
Lorna
1979
-
1982
video
LORNA 1979-1983 A.D. A.D. "A precondition to video is that it does not talk back. It absorbs, rather than reflects." Preliminary Notes, 1981 While video was like a reflection that did not talk back, interactive works were like a trick, two
Pixelroller
2005
-
2010
PIXELROLLER VARIOUS PROTOTYPES 2005-2010 PixelRollers do exactly what their name suggests. They are performance tools for rapidly applying any pixel based graphics (user-generated content from the internet, your phone, a dedicated camera, etc)
Open Head
1998
Open Head is Marnix de Nijss first interactive in
sta
llation. Engine-powered the machine rotate
s a
monitor attached to an arm of steel, which can reach a top speed of 120 km/hour. A visible image only appears on the screen when it is transformed by
Narcissus' Well
2006
"Narcissus' Well" i
s a
n interactive multimedia in
sta
llation that investigates how we are absorbed in the ephemeral, the intangible, the invisible, and the faraway - the quest for self-knowledge mediated through technology. The in
sta
llation employ
s a
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