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(collective) Mansoux / Valk
Aymeric Mansoux has taken part in many artistic experiments based on the internet and the emergence of networks, and considers any form of data to be a new clay that can be used to develop autonomous artistic processes. His most recent projects
From Artificial Ecosystems to Critical Reflection. An Introduction to the Analysis of the Work of Christa Sommerer and Laurent Mignonneau
2012
Kluszczynski, W. Ryszard. From Artificial Ecosystems to Critical Reflection. An Introduction to the Analysis of the Work of Christa Sommerer and Laurent Mignonneau In Wonderful Life: Laurent Mignonneau + Christa Sommerer, edited by W. Ryszard
AL GRANO: Formas de pensar mundos
2014
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2014
AL GRANO: Formas de pensar Mundos, 2014, solo exhibition (images above and below) at the Centro de Museos de la Universidad de Caldas, commissioned by the Festival de la Imagen 2014, in Manizales, Colombia. A seed of transgenic corn represents an
Ecrire sur l´art: De l´art optique à l´art virtuel
2007
Popper, Frank. Ecrire sur l´art: De l´art optique à l´art virtuel. Paris: Editions L'Harmattan, 2007.
Human Browser
2004
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2007
A human being embodies the World Wide Web Human Browser is a series of Wi-Fi performances based on a Google Hack, where the usual technological interface is replaced with the oldest interface we know: the human being. Winner of the Share
The Dump: Recycling of Thoughts
2010
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2010
The Dump - recyclage d’idées est une sorte de laboratoires d’idées artistiques. Les artistes ont été encouragés à prolonger les concepts d’un autre artiste, à utiliser les concepts entreposés sur le blog de Maurice Benayoun. Au lieu de recettes
Non-weddings
2002
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2002
Non-weddings was inspired by a drawing by Jacques Lacan in “L’instance de la lettre dans l’inconscient”, as I realized that the Internet search engines had some similarities with this presentation (cf Google Image). The drawing by Lacan was
Diabolo ex machina. dérives malignes de la Sainte Ecriture dévoyée par la technologie
1996
Benayoun, Maurice. Diabolo ex machina. dérives malignes de la Sainte Ecriture dévoyée par la technologie Sarazine 4 (1996).
Amy Youngs
Amy M. Youngs creates biological art, interactive sculptures, and digital media works that explore interdependencies between technology, plants and animals. Her practice-based research involves entanglements with the non-human, constructing
Envisioning Ecosystems: biodiversity, infirmity and affectivity
2012
DOMINGUES, DIANA MARIA G and Cristiano MIOSSO and Lourdes BRASIL and Rafael MORGADO and Adson ROCHA. Envisioning Ecosystems: biodiversity, infirmity and affectivity Intechopen (2012): 183-198.
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