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  • In Medias Res -
    Morehshin Allahyari & Daniel Rourke, Banz & Bowinkel, Malte Bartsch, Mariechen Danz, Angela Fette, Hans Haacke, Konsortium (Lars Breuer, Sebastian Freytag, Guido Münch), Reiner Maria Matysik, Theresa Schubert, Anja Schwörer kuratiert von Ursula
  • on the nature of things - video
    comprises five video projections which atmospherically depict and re-interpret our habitat. In the exhibition space five projections are set up like a landscape. Each of these projections represents one aspect of the manifestation of nature as
  • Blow up video
    Blow Up records, amplifies, and projects human breath into a room-sized field of wind. The installation comprises two devices. The first is a rectangular array of twelve small impellers, which stands on a table on one side of the gallery. This small
  • SWAMP
    SWAMP (Studies of Work Atmosphere and Mass Production) focuses on critical themes addressing the effects of global corporate operations, mass media and communication, military-industrial complexes, and general meditations on the liminal area between
  • Atmospherics/Weather Works
    Event: Atmospherics/Weather WorksInstitution: Beall Center for Art and Technology University of California IrvineComment:
  • Timeless Universe -
    Timeless Universe 2006 Valencia 17 May - 9 July . Sala Parpallo the leading art gallery of Valencia hosts the largest one man show to date of Paul Friedlander's work including the major new installation, Timeless Universe. Waves of Possibility
  • Atom, Bit, Coin, Transactional Art Between Sublimation and Reification
    Event: Atom, Bit, Coin, Transactional Art Between Sublimation and ReificationInstitution: City University Hong KongComment:
  • Atom, Bit, Coin, Transactional Art Between Sublimation and Reification
    Event: Atom, Bit, Coin, Transactional Art Between Sublimation and ReificationInstitution: Art Machines: International Symposium on Computational Media ArtComment:
  • Invisible Cantilever -
    This project considers the distance between the viewer and what is being viewed. How does technology alter our perceptions of distance, scale, and structure? Technologies for viewing continue to evolve, from the camera obscura to the telescope to
  • Maschinensehen (Machine-Vision) -
    Through video essays and photography, the exhibition MASCHINENSEHEN [MACHINEVISION] documents the practice of picture production: its devices and technologies, the laboratories, as well as the sites where the new processes are applied. In addition,
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