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  • Tiia Johannson was a media artist, educator and researcher based in Tallinn, Estonia. Her background was in fine arts and moving image, since1990 she has mostly been working on numerous media art projects on video, multimedia and Information Society
  • Brenda Laurel is a designer, researcher and writer. Her work focuses on interactive narrative, human-computer interaction, and cultural aspects of technology. Her career in human-computer interaction spans over twenty-five years. She holds an M.F.A.
  • Marini, Daniele. L´immagine multimediale. München: Addison-Wesley, 2001.
  • Princenthal, Nancy. Code. X: Genome (Review) Art in America (February 2001).
  • Goldberg, Ken and Billy Chen. Collaborative Control of Robot Motion: Robustness to Error In IEEE/RSJ International Conference on Robots and Systems, : 2001.
  • Reichle, Ingeborg. Kunst und Biomasse: Zur Verschränkung von Biotechnologie und Medienkunst in den 90er Jahren Kritische Berichte 1 (2001): 23-33.
  • Müller-Jung, Joachim. Hasengrün - Die Gentechnik und ihre Symbole Frankfurter Allgemeine Zeitung (January 13th 2001).
  • Joan Leandre is a member of the Observatory Archives (http://desorg.org) since 1992. Interpreter and translator of media developes his activity between the laboratory (http://kubasik.biz) and the open sky with Maja Wolinska
  • George Legrady has been creating interactive digital media installations and projects since the early 1990's. He is best known for his projects focuses on the classification and visualization of data as in “Pockets Full of Memories” (2001)
  • David Link is a media artist and researcher. Between 2009 and 2011 he was Chair for Experimental Technologies in the Art Context at the Academy of Visual Arts Leipzig. In 2004, he wrote his PhD in philosophy at Humboldt-University Berlin, and the