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  • Heath Bunting: Identity Bureau. Against Residual Self-Image
    Hirsenfelder, Ida. Heath Bunting: Identity Bureau. Against Residual Self-Image http://www.digicult.it/digimag/issue-072/heath-bunting-identity-bureau-against-residual-self-image/ [05.07.2017].
  • source code poetry (2016, in Digicult, nov. 2018)
    aprile, francesco. source code poetry (2016, in Digicult, nov. 2018). Vol.novembre 2018. novembre, novembre 2018 th ed.Digicult.it: Digicult, 2018.
  • Investigations on the Cultural Economy of Media Art
    Chierico, Alessio, ed. Investigations on the Cultural Economy of Media Art. Milan: Digicult Editions, 2017.
  • Digifest 2002 -
    Event: Digifest 2002Institution: Walter Phillips GalleryComment:
  • L.A. Digilantes -
    Event: L.A. DigilantesInstitution: Museum of Art Downtown LAComment:
  • Les Quarxs
    Event: Les QuarxsInstitution: Digimedia, La télévision rencontre le multimédiaComment:
  • ART AND TECHNOCIENCE: digital and post-biological radical reinventing life for a healthier future -
    Bienal de Artes Digitais - Festival de Arte Digital
  • Texts, Bombs and Videotape -
    Texts Bombs and Videotape - A 24 hour fax, E-mail and SlowScan TV event presented as a telematic workstation between Newport School of Fine Art in the UK, The Hochschule fuer angewandte Kunst in Vienna and the Digital Art Exchange in Pittsburgh,
  • Traces -
    Traces is a project for networked CAVEs (immersive VR spaces). But it is very different in its goals and its nature from any other CAVE or VR project (to the knowledge of the author). The root of the project is a long standing concern over the
  • Pinocchio Interactive video
    Pinocchio Interactive is a dynamic installation which integrates: robotic, animation, digital fantasy and interactivity. It is a ludicrous experience which is filled with surprises, tricks and wizards of the life of pinocchio in the version 2000.
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