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Images, Language and Belief in Synthesis
1995
Legrady, George. Images, Language and Belief in Synthesis In Critical Issues in Electronic Media, edited by Simon Penny: SUNY Press, 1995.
Ars Electronica 1995: Mythos Information - Welcome to the Wired World
1995
Dreher, Thomas, ed. Ars Electronica 1995: Mythos Information - Welcome to the Wired World. New York, Wien: Springer Verlag, 1995.
Neonudism
1997
Tenhaaf, Nell. Neonudism Parachute 85 (Jan/Feb/March 1997): 12-15.
Photography at the Interface
1996
Ascott, Roy. Photography at the Interface In Electronic Culture. Technology and Visual Representation, edited by Timothy Druckrey, 165-172. New York: Aperture, 1996.
Consciousness Reframed: Art and Consciousness in the Post-biological era
1997
Ascott, Roy, ed. Consciousness Reframed: Art and Consciousness in the Post-biological
era. Newport: University of Wales, 1997.
Diabolo ex machina. dérives malignes de la Sainte Ecriture dévoyée par la technologie
1996
Benayoun, Maurice. Diabolo ex machina. dérives malignes de la Sainte Ecriture dévoyée
par la technologie Sarazine 4 (1996).
Neue Berufsfelder und Bildproduktion. Wissensmanagment vom künstlerischen Tafelbild zu den bildgebenden Verfahren der Wissenschaft
2001
Weibel, Peter; u.a.. Neue Berufsfelder und Bildproduktion. Wissensmanagment vom künstlerischen
Tafelbild zu den bildgebenden Verfahren der Wissenschaft In Vom Tafelbild zum globalen Datenraum, edited by Peter WeibelOstfildern-Ruit: Hatje Cantz, ...
L´art soumis à la Question par la technologie. Interview par Charles de Meaux
1999
Benayoun, Maurice. L´art soumis à la Question par la technologie. Interview par Charles
de Meaux Cultures en Mouvement , no. 15 (March 1999).
Reframing Consciousness
1999
Ascott, Roy, ed. Reframing Consciousness. Plymbridge: Intellect Books, 1999.
Behaviourist Art and the Cybernetic Vision
2002
Ascott, Roy. Behaviourist Art and the Cybernetic Vision In Multimedia. From Wagner to Virtual Reality, edited by Randall Packer and Ken Jordan, 104-120. New York, London: W. W. Norton and Company, 2002.
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