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Nature?
2000
Marta de Menezes. Nature? Ars Electronica 2000 (2000): 258-261.
Functional Portraits: picturing the invisible body
2004
Marta de Mendezes. Functional Portraits: picturing the invisible body A Minima 7 (2004): 6-17.
Praise of Diversity
2010
Kluszczyński, Ryszard W.. Praise of Diversity In Mediations Biennale: BEYOND MEDIATIONS, edited by Marta Kabsch and Joanna Przygońska, 12-21. Poznań: 2010.
Sul Sol
2014
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2014
Curator: Marta de Menezes
Largus : Art and Giving
2006
Parent Sylvie and Martel Christine. Largus : Art and Giving. Quebec, Canada: La Chambre Blanche, 2006.
From Digital Identity to Architecture of the Nanoworld: Remarks on the Art of Victoria Vesna
2011
Kluszczyński, Ryszard W.. From Digital Identity to Architecture of the Nanoworld: Remarks on the Art of Victoria Vesna In Blue Morph: Victoria Vesna + James Gimzewski, edited by Marta Korga and Anna Zalewska, 5-9. Gdańsk: Baltic Culture Center,
Annabel Castro
Artist/academic. She studied an MsC in information technology applied to arts at Chalmers University of Technology and a PhD in Digital arts and experimental media at University of Washington. She has published articles in journals such as Artnodes,
MOBILE NATION: CREATING METHODOLOGIES FOR MOBILE PLATFORMS
2008
Ladly, Martha and Philip Beesely, ed. MOBILE NATION: CREATING METHODOLOGIES FOR MOBILE PLATFORMS. Toronto: Riverside Architectural Press, 2008.
The Nomadic Ear in: Sonography, Cartography and the design of Sonic Narratives for Nonlinear Experience.Site of Sound: Of Architecture and the Ear
2011
Helyer, Nigel. The Nomadic Ear in: Sonography, Cartography and the design of Sonic Narratives for Nonlinear Experience. Site of Sound: Of Architecture and the Ear. Vol.2. Berlin: LaBelle, Brandon & Marthino, Claudia, 2011.
Casual Workers, Hallucinations and Approriate Ghosts
1994
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1994
a video installation, was commissioned for the lobby of a movie theater in Time Square by Creative Time, Inc. and the 42nd St. Development Corp. for The 42nd Street Art Project. The piece tracks a metamorphosis from a choreography based on the
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