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  • Lozano-Hemmer, Rafael. Re:Positioning Fear Archis (1998).
  • An interdisciplinary forum of over 70 researchers and artists from all over the world, re:place 2007 presents multiple historical relations between art, science and technology. The title ‘re:place’ refers to the sites and the migration of artistic...
  • Third International Conference on the Histories of Media Art, Science and Technology.The next iteration of the Media Art History conference is Re:live which is to be held in Melbourne, Victoria in 2009. The event follows the success of the two...
  • Orlow, Uriel and Ruth Maclennan. Re: the Archive, the Image, and the Very Dead. London: Double Agents, 2004.
  • Re: Generative -
    Event: Re: GenerativeInstitution: Festival Internacional de la Imagen, Universidad de Caldas Comment:
  • Kronman, Linda and Andreas Zingerle. Re: Dakar Arts Festival-Exploring Transmedia Storytelling Methods to Document an Internet Scam. Interactive Storytelling. Springer International Publishing (2013): 253-256.
  • Kronman, Linda and Andreas Zingerle. Re: Dakar Arts Festival-Exploring Transmedia Storytelling Methods to Document an Internet Scam. Interactive Storytelling. Springer International Publishing (2013): 253-256.
  • The Re: Dakar Arts Festival project documents an ongoing art scam form. The scammers approach artists and galerists with open calls for a fake festival in Dakar, Senegal. To appear professional, they adopt different identities. To unveil their...
  • Kluszczyński, Ryszard W.. Re-Writing the History of Media Art: From Personal Cinema to Artistic Collaboration Leonardo 40, no. 5 (2007): 469-474.
  • RE-START -
    Event: RE-STARTInstitution: Mozilla Hubs for Medientage MünchenComment: