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  • Functional Portraits -
    "Artists have been trying to represent in portraits not only the physical appearance of the subject, but also characteristics of the personality, by using the pose, elements in the composition, and even the choice of technique. Science has developed
  • Sophie Hedderwick
    I am a multimedia artist, using smart textiles in a digital format, using photography, film and 3D mapping. I am currently a PhD researcher at Birmingham School of Art, funded by AHRC/M3C.
  • Inner Voices -
    Event: Inner VoicesInstitution: Thinktank BirminghamComment:
  • Thinktank Birmingham -
    Event: Thinktank BirminghamInstitution: Thinktank BirminghamComment:
  • Virual Realities: Cybernetic Art in the Museum of the Future
    Birringer, Johannes. Virual Realities: Cybernetic Art in the Museum of the Future Tema Celeste , no. 36 (1992): 64-69.
  • Bio-medical Signals in Media Art.
    Robles-Angel, Claudia and J. Birringer and U. Seifert and L. Scherffig. Bio-medical Signals in Media Art. ISEA 2017 Proceeding ISBN 978-958-759-161-3. (2017): 720-29.
  • Creation Myth -
    Creation Myth describes the birth of a new environment utilizing unique fractal and particle system software. It was designed for exhibition on Palladium's 50 monitor video display system. (Rebecca Allen)
  • Advent -
    Advent is an interactive journey into the 25 days preceding the birth of something messianic. The journey is set in and around the shoreline of a mythic river and takes the form of a fictional personal diary. At the heart of the piece is an advent
  • Approximately 3 Dimensions -
    To make a hole, three dimensions are necessary. In the two-dimensions of the iconic thought experiment Flatland, organisms that sustain their existence through a digestive system characterized by two holes, would find themselves split in two along
  • The Birth of Eve Clone - Technological Satire of a Genetic Reproduction Laboratory
    Tseng, Jane. The Birth of Eve Clone - Technological Satire of a Genetic Reproduction Laboratory Art Appreciation (2011): 61-63.
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