Archive Search

  • Oco
    As the cylindrical form of the three letters spins in space, the letter I appears and disappears, producing the fleeting appearance of the words "o cio" (in heat) and "ócio" (idleness).
  • IO
    Three-dimensional navigational poem in which the letters/numbers I and O appear as elements of an imaginary landscape. IO is "I" in Italian. In this piece it also stands for reconciled differences (one/zero, line/circle, etc.). The reader is invited
  • Storms
    An interactive hypertext piece based on the sefirotic tree of the Kabbalah. "Storms" is organized in vocalic and consonantal bifurcations. To navigate through the poem one is invited to click on a letter at any given time. In some instances,
  • ... degree from the Massachusetts Institute of Technology in Media Arts and Sciences as well as a bachelors degree from the School of...
  • Accident
    Runtime looped animation in which language continuously emerges and disappears. As a speech fragment is repeated and letters disappear from it, new meanings emerge.
  • UPC
    In this looped and silent installation-poem 7-foot tall letters are projected against the wall. They emerge out of focus on the right, move across diagonally into focus, and disappear again out of focus to the left. Literal and at the same time
  • Runtime animation in which the visual and sound tracks function independently and complementarily in two languages (English and Portuguese), one not being the translation of the other. “Desperto” means “awaken” in Portuguese. Originally a runtime
  • Secret
    The words in "Secret" are dispersed in the semantic darkness of a potential space. The reader is invited to navigate this space and create verbal and visual links between immaterial presences, voids, and distant signs. This VRML navigational poem
  • ... Hochschule fuer Gestaltung und Kunst ( University of the Arts). He teaches Interaction Design and Master of Arts in Design /...
  • ...Catherine Richards is a visual artist and professor working in old and new media. She uses installations and participatory strategies to reflect...