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  • Aaron Koblin
    Aaron Koblin, creator of the interactive version of House of Cards, on display in the exhibition, is an artist specialising in data visualisation. Koblin’s work has been shown at international festivals including Ars Electronica, SIGGRAPH, OFFF, the
  • The Dis-Embodied Re-Embodied Body
    Shaw, Jeffrey. The Dis-Embodied Re-Embodied Body In New Ideas in Science and Art, Final Acts of the Prague Conference 19-23.11.1996, edited by Council of Europe, 50-56. : 1997.
  • Facing Reality
    Dolinsky, Margarete. Facing Reality Artists Using Science and Technology, YLEM Newsletter (July/August 1999).
  • Art @ Science
    Sommerer, Christa and Laurent Mignonneau, ed. Art @ Science. Wien, New York: Springer Verlag, 1998.
  • Art @ Science
    Sommerer, Christa and Laurent Mignonneau, ed. Art @ Science. Wien, New York: Springer Verlag, 1998.
  • Myron Krueger
    Myron Krueger born in Gary, Indiana (USA); studied at Dartmouth College, New Hampshire from 1962-1964. From 1967 to 1974, he studied computer science at the University of Wisconsin. Krueger has been working together with artists since 1969. He has
  • Lev Manovich
    Lev Manovich is an artist and a theorist of new media. He was born in Moscow where he studied fine arts, architecture and computer science. He received an M.A. in experimental psychology from NYU [1988] and a Ph.D. in Visual and Cultural Studies
  • Karina Smigla-Bobinski
    Karina Smigla-Bobinski works as intermedia artist with analogue and digital media. She produces and collaborates on projects ranging from kinetic sculptures, interactiveinstallations, art interventions, featuring mixed reality and interactive art
  • Timo Toots
    Timo Toots is a new media artist, photographer, and programmer based in Estonia. He studied computer science at Tartu University, and photography at the Estonian Academy of Arts. His works focus on the transformation of surveillance of society by
  • Evolution as Artist
    Ray, Tom. Evolution as Artist In Art@Science, edited by Christa Sommerer and Laurent Mignonneau, 81-91. New York, Wien: Springer Verlag, 1997.
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