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  • Bec, Louis. Le lapin fluorescent. Bunny GFP. Interdit de Visite." http://www.ekac.org/emailbec.html.
  • Bec, Louis. Le lapin fluorescent. Bunny GFP. Interdit de Visite." http://www.ekac.org/emailbec.html.
  • According to Info-Aesthetics Doctrine (www.manovich.net/IA), the society in which gathering, processing and distribution of information play central role needs its own art forms. These forms should take into account information behaviors and
  • CELESTE -
    Celeste embodies the idea of the digital unification of different skies in different locations around the world. Through a beacon equipped with the necessary material to capture the image of the sky in real time, the system extracts the colours
  • Jody Zellen is a Los Angeles based artist who works in many media simultaneously making interactive installations, mobile apps, net art, animations, drawings, paintings, photographs, public art, and artists' books. She employs media- generated
  • Exposition Nouvelle Image, Nouveaux Réseaux, Cité des sciences et de l'industrie Jusqu'à 800 000 visiteurs Première mondiale d'une exposition entièrement en réseau avec suivi personnalisé du visiteur Conception et réalisation de la
  • Courchesne, Luc. La lumière et le visiteur In L´éclairage dans le institutions muséales, , 19-34. Quebec City: Museé de la civilisation and Sociéte des musées québécois, 1992.
  • la huella -
    la huella, 2010 iMac, Quartz Composer, microphone, projector, 200 x 150 cm La huella is a generative work that evolves in a loop of creation, adaptation and destruction. It is a reflection on survival and evolution in nature, a neverending
  • Artist film-maker whose current work centres on watery places such as rivers, estuaries and coastal zones. She uses a process-based dialogic methodology informed by écriture féminine to explore the interrelationship between bodies and forgotten,