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Renewing Knowledge Structures for Media Art
2010
Grau, Oliver and Jonathan P. Bowen and Kia Ng. Renewing Knowledge Structures for Media Art In EVA London 2010: Electronic Visualisation and the Arts, edited by Alan Seal, 286-295. Swindon: British Computer Society, 2010.
The Engine of Desire
1996
-
1996
The Engine of DesireArtist: Bill SeamanComment:
The Watch Detail
1990
-
1990
video
The first major interactive work was entitled The Watch Detail (1990). Video images, sound and text that addressed the subject of time were explored interactively. This work employed Macintosh Hypercard media, that was used to control an interactive
The Design of the Grip
1989
-
1989
video
The next period in Seaman's oeuvre employed video as a poetic technological vehicle, exploring sound, image and text relations within a slow pulsing hypnotic video space. Both linear tapes and video installations were produced. The tapes S.He
The Thoughtbody Environment
2005
video
The Thoughtbody EnvironmentArtist: Bill SeamanComment:
ComSpace
2007
ComSpaceArtist: Bill SeamanComment:
Tweak Exhibition
2010
Digital technology has become a medium that has redefined the arts broadening horizons and changing practices. The works in this exhibition explore interactivity and the possibilities opened up by multimedia and electronic technologies to create
Architecture of Association
2007
-
2010
video
Architecture of AssociationArtist: Bill SeamanComment:
Passage Sets/One Pulls Pivots at the Tip of the Tongue (Wall of Light Version)
2010
video
Passage Sets/One Pulls Pivots at the Tip of the Tongue (Wall of Light Version)Artist: Bill SeamanComment:
A China of Many Senses
2011
video
A China of Many SensesArtist: Bill SeamanComment:
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