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The interactive image: a media archaeology approach 2017

Esteban García Bravo and Angus G Forbes and Vetria L Byrd and Andrés Burbano. The interactive image: a media archaeology approach Leonardo 4, no. 50 (AUGUST 2017): 368-375.
Imagining Macondo: Interacting with García Márquez’s Literary Landscape 2015

Burbano, Andres. Legardy, George. Forbes, Angus. Imagining Macondo: Interacting with García Márquez’s Literary Landscape IEEE Computer Graphics and Applications 5, no. 35 (JUNE 2015): 6-13.
Imagining Macondo: Interacting with García Márquez’s Literary Landscape 2015

Burbano, Andres. Legardy, George. Forbes, Angus. Imagining Macondo: Interacting with García Márquez’s Literary Landscape IEEE Computer Graphics and Applications 5, no. 35 (JUNE 2015): 6-13.
Imagining Macondo: Interacting with García Márquez’s Literary Landscape 2015

Burbano, Andres. Legardy, George. Forbes, Angus. Imagining Macondo: Interacting with García Márquez’s Literary Landscape IEEE Computer Graphics and Applications 5, no. 35 (JUNE 2015): 6-13.
CATÁLOGOS RAZONADOS 2014

Andres Burbano and Andres Jurado and Luis Blackaller and Ricardo Miranda Zuñiga and Sharon Daniel and Manuel Orellana Sandoval. CATÁLOGOS RAZONADOS IDARTES (2014).
Catálogos Razonados: Artes Medievales Convergencias y Tecnologías. 2014

Ricardo Miranda Zuñiga and Sharon Daniel and Luis Blackaller and Manuel Orellana Sandoval and Andres Jurado and Andres Burbano. Catálogos Razonados: Artes Medievales Convergencias y Tecnologías. Idartes (2014).
Imagining Macondo: Interacting with García Márquez's Literary Landscape 2015

Angus Graeme Forbes and George Legrady and Paul Murray and Andres Burbano. Imagining Macondo: Interacting with García Márquez's Literary Landscape IEEE computer graphics and applications 5, no. 35 (SEPTEMBER 2015): 12-19.
Introduction: SIGGRAPH Art Gallery 2018 2018

Andrés Burbano. Introduction: SIGGRAPH Art Gallery 2018 Leonardo 4, no. 51 (AUGUST 2018): 419-421.
Original Narratives Art Gallery: Introduction 2018

Andrés Burbano. Original Narratives Art Gallery: Introduction Leonardo 4, no. 51 (AUGUST 2018): 420-421.
WORLD /WORLD 2001 - 2001

Imagine a pole piercing the earth. One end emerges in Neunkirchen, Germany and the other at a public space in Tokyo. You can push and pull this pole on one side of the earth and someone on the other side may push back to you. You can also see

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