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The animation derives from the chinoiserie style frescos on the Hillside Palace of Pillnitz Castle. Fragments of these appear on revolving globes, like heavenly spheres. The three globes allude to the science fiction trilogy Trisolaris by Cixin Liu.

This performance is about the materialization of the performer’s thoughts and feelings on the stage. In the performance, imagination becomes spatial. The stage is a place for the appearance of the invisible. Yasu Ohashi says: “the actors aim at our

... superimposed, presenting themselves entangled and in austere cartographic equality. As in 'Concertina', the gold functions as an...

... performative miniature in the context of a symposium about smart cities.

Print on gold-plated steel An UV print on gilded steel features a series of ornamental patterns. As in the project 'Violating Patterns (2014)', 'Concertina' adopts representations of NATO barbed wire models from the product catalogue of a

Installation with 3D printed objects The border between the USA and Mexico is one of the most frequented borders in the world. Its fortifications serve primarily to control migration and the transaction of goods. The wall piece 'Grenzzaun' consists

... For a period of one month, private households hosted a work of art and opened their apartments to the public at certain times of the...

... flows from the formless to the concrete in her coming to earth, and from the concrete to the formless in her return to the world...

... the soundproofed cube in one of the interior rooms was particularly intense: here a sound and light composition was projected,...

Inspired by the Chinese character Zhong (the center, the middle), this audiovisual composition is a search for the CENTER, discovering a universe of constant and eternal modification, a world driven by the dynamic created through opposite fighting