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  • Jamieson, Helen Varley. Networked Conversations as Activism, 30-31 (Nov 2019).
  • Alvaro, Sandra. Artistic production and embodied information. Tracking Spaces of Transformation In VIRTUALITIES AND REALITIES New Experiences, Art and Ecologies in Immersive Environments, edited by Raitis Smits and Rasa Smite: RIXC, 2019.
  • Zingerle, Andreas and Kronman Linda. Behind the Smart World – Artistic Remixing of a Global Data Breach In THE CRITICAL MAKERS READER: COLLABORATIVE LEARNING WITH TECHNOLOGY, edited by Letizia Chiappini and Loes Bogers: Institute of Network
  • Listed URL is for 2019 event. However, the 201exihibtion featured the same artwork and had the same name, without the 2.0.
  • 3D Ceramic Print Sculpture + Mixed Reality AR installation (with /p), 2019 Full fathom five thy father lies; Of his bones are coral made; Those are pearls that were his eyes; Nothing of him that doth fade, But doth suffer a sea-change Into something
  • Evolution of Fish -
    Evolution of Fish is an augmented reality large projection that turns the surroundings--outside on building facades, or inside on gallery walls--into an underwater reef, filled with schools of fish. Visitors can use iPads to guide the fish around
  • Zareei, Mo. Audiovisual Materialism Organised Sound 25, no. 3 (November 2020): 362-371.
  • Paula Strunden studied architecture in Vienna, Paris and London and worked at Raumlabor Berlin and Herzog & de Meuron Basel. Currently she pursues her design-led PhD within the European network TACK at the Academy of Fine Arts Vienna. Her work
  • MONOCOLOR alias Marian Essl is a Vienna based audiovisual artist. He explores the interrelations between sound and image in both performance-based and installation-based works. His fully generative, algorithmically created imagery oscillates between
  • Fractals
    KUYPERS, Janet. Scythes. Down in the Dirt. Illinois, USA: Scars Publications, 2020. ISSN 1554-9666. (EN) http://scars.tv/art/Radoslav_Rochallyi/