Archive Search

  • SHORT BIO Jon Thomson (b. 1969) and Alison Craighead (b. 1971) are artists living and working in London. They make artworks and installations for galleries, online and sometimes outdoors. Much of their recent work looks at live networks like the
  • Davies, Char. Changing Space: Virtual Reality as an Arena of Being In The Virtual Dimension: Architecture, Representation, and Crash Culture, edited by John Beckmann, 144-155. New York: Princeton Architectural Press, 1998.
  • Bay-Cheng, Sarah and Jennifer Parker-Starbuck and David Z. Saltz, ed. Performance and Media: Taxonomies for a changing field. Ann Arbor: University of Michigan Press, 2015.
  • Lavoslava Benčić. Slovenian parks : changing heart and mind through motion picture Master Thesis, Midlesex University, London, London, 2008.
  • Grau, Oliver and Wendy Coones and Viola Rühse, ed. Museum and Archive on the Move. Changing Cultural Institutions in the Digital Era.. Berlin: De Gruyter, 2017.
  • Decode: Digital Design Sensations showcases the latest developments in digital and interactive design, from small, screen-based, graphics to large-scale interactive installations. The exhibition includes works by established international artists
  • Event: SEPIA Conference: Changing ImagesInstitution: Finnish Museum of PhotographyComment:
  • The formal visual aspect of the Reflections v2 series is strongly tied to the aesthetic of Minimal Art. It reduces its abstract vocabulary to visual representations of the number one and zero sculpted as lines (one) and rings (zero). This reduction
  • Performers interact with images and sounds and manipulate four mobile projection surfaces, orchestrating a set of changing architectural constructions. Spectators circulate freely like visitors to an installation, accessing multiple points of view
  • This Augmented reality video is an early short version of the video installation 'Hortus Delicarium'. Its about the dilemma between our changing perception of reality through the interference of emerging technologies and our demand for nostalgy,