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Grau, Oliver and Thomas Veigl, ed. Imagery in the 21st Century. Cambridge, MA: MIT-Press, 2011.

Grau, Oliver and Thomas Veigl. Media Art's Challenge to our Societies In Imagery in the 21st Century, edited by Oliver Grau, 310-371. Cambridge, MA: MIT-Press, 2011.

Feuerstein, Thomas. Pedigree http://www.annjakrautgasser.net/home.php?il=83&l=en [21.10.2014].

Paul Thomas. Nanoart: The immateriality of Art. Chicago: Chicago Press, 2013.

Andres Burbano and Paul Thomas. Between punched film and the first computers, the work of Konrad Zuse. In Relive : Media Art Histories, edited by Sean CubittCambridge, Mass.: MIT Press, 2013.

Aceti, Lanfranco and Paul Thomas and Edward Colless, ed. Cloud and Molecular Aesthetics. Istanbul: ISSN: 1071-4391, 2014.

Zaunschirm, Thomas. Im Zoo der Kunst II, Die KünstlerInnen und ihre Tiere. Vol.Band 175, S. 96. Im Zoo der Kunst II, 2005 th ed.Cologne, Germany: KUNSTFORUM International, 2005.

Zielinski, Siegfried and Hans Ulrich Reck and Thomas Hensel, ed. Decodieren von Subtexten. Erforschung a-logischer Strukturen. In: Lab - Jahrbuch 2000 für Künste und Apparate, 2000 th ed.Cologne, Germany: Verlag der Buchhandlung Walter König, 2000.

Thomas Dreher. History of Computer Art VI. Net Art: Networks, Participation, Hypertext VI.3 Net Art in the Web http://iasl.uni-muenchen.de/links/GCA-VI.3e.html#HTML.

Thomas, Paul. Quantum Art and Uncertainty. Bristol: Intellect, 2018.