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Artificial Life - a Report from the Frontier Where Computers meet Biology 1993

Levy, Steven. Artificial Life - a Report from the Frontier Where Computers meet Biology. London: Vintage, 1993.
Genetic Art and the Aesthetics of Biology 2002

Tomasula, Steve. Genetic Art and the Aesthetics of Biology Leonardo 35, no. 2 (April 2002): 137-144.
Olga Kisseleva

"The artist Olga Kisseleva's approach to her work is much the same as a scientist's. A discrepancy detected during a procedure or within the workings of a structure oblige her to formulate a hypothesis, in order to explain the complication in
Adaption in Natural and Artificial Systems: An Introductory Analysis with Applications to Biology, Control, and Artificial Intelligence 1975

Holland, John Henry. Adaption in Natural and Artificial Systems: An Introductory Analysis with Applications to Biology, Control, and Artificial Intelligence. Ann Arbor, MI: University of Michigan Press, 1975.
Do-It-Yourself biology (DIYbio): Return of the Folly of Empiricism and Living Instruments 2014

Kera Denisa. Do-It-Yourself biology (DIYbio): Return of the Folly of Empiricism and Living Instruments In META-LIFE: Biotechnologies, Synthetic Biology, A-Life and the Arts, edited by Roger Malina & Louise Whiteley Annick BureaudCambridge,
Sommerer, Christa, "Art and Science Collaborations - Interactive Artworks by Sommerer & Mignonneau", Lecture at EMBL European Molecular Biology Lab, Heidelberg (Germany), 15.07.2005 2005 - 2005

Event: Sommerer, Christa, "Art and Science Collaborations - Interactive Artworks by Sommerer & Mignonneau", Lecture at EMBL European Molecular Biology Lab, Heidelberg (Germany), 15.07.2005Institution: EMBL European Molecular Biology LabComment:
Building the Bioluminescent Bunny 2001

Eskin, Blake. Building the Bioluminescent Bunny ARTnews 100, no. 1 (2001): 118-119.
BIOMA 2018 - 2018

Conceived as a sculpture/interface that obtains biometric color and sound data from the environment. The work is activated with a noise level higher than the one configured to start making a visual sweep that is altered by the sound wave. With this
Biomer Skelters 2013 video

Biomer Skelters (“biome” + “helter-skelter“) is a crowd sourced, wild growth forest-to-rainforest propagator that creates a city-wide public artwork by connecting participants’ interior biorhythms to exterior urban ecosystems.
Julian Stadon

I am an Australian Artist and Transdisciplinary Integration Expert Working Across Academia, Cultural and Private Sectors. Focussed on Augmentation Aesthetics, Bio-Digital Entanglement & Interactivity, Food Futures & Sustainability. I currently

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