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  • Cloud Murmurs -
    This project collects sound recordings taken in different datacenters, rooms where we store our data, websites and sensitive informations, as big clouds following us everywhere. Clouds seems to us intangible and impalpable, silent, due to their
  • Homo Insectus video
    Homo Insectus an interactive installation Developed for the Ullens Foundation © 2020, Laurent MIGNONNEAU & Christa SOMMERER Insects are an essential element of the biosphere. However, due to pollution and the widespread use of chemicals, many insect
  • SoundSlam -
    A DJ's life is hard and spoiling. Deejaying all night in overcrowded clubs and producing trax in the studio causes not only fame but also bad temper. DJs most frequently suffer from muscular atrophy and heart disease. SoundSlam is a high end
  • SENSITIVE WORLDS
    Kisseleva Olga and Manovich Lev and Formis Barbara. SENSITIVE WORLDS. PARIS: CDA, 2014.
  • Art Futura 2005:Living Objects. Sensitive Spaces -
    Event: Art Futura 2005:Living Objects. Sensitive SpacesInstitution: Art FuturaComment:
  • Sensitive worlds -
    Event: Sensitive worldsInstitution: CDAComment:
  • Spring up Ⅱ-Coexistence -
    Spring up II – Coexistence serves as an evolutionary product of the sound-sensitive installation of Spring up – it is a replication of its DNA. This continuation of life is just like cell division, the fundamental process of organism growth and
  • "Sensitive Contacts" / Telfair Museum of Art / Jepson Center for the Arts -
    Event: "Sensitive Contacts" / Telfair Museum of Art / Jepson Center for the ArtsInstitution: The Wrong BiennaleComment:
  • Touch-Sensitivity and Other Forms of Subversion: Interactive Artwork
    Hershman, Lynn. Touch-Sensitivity and Other Forms of Subversion: Interactive Artwork Leonardo 26, no. 5 (1993): 431-436.
  • Touch-Sensitivity and other Forms of Subversion: Interactive Artwork
    Hershman, Lynn. Touch-Sensitivity and other Forms of Subversion: Interactive Artwork In Women, Art, and Technology, edited by Judy Malloy, 192-205. Cambridge, MA: MIT Press, 2003.
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