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Nomadic Images: Transmediality and Hybridity in Contemporary Media Art 2011

Kluszczyński, Ryszard W.. Nomadic Images: Transmediality and Hybridity in Contemporary Media Art In The Homelessness of Art, edited by Grzegorz Sztabiński, 119-134. Łódź: Łódzkie Towarzystwo Naukowe, 2011.
Whitney Biennial 2002 Net Art Selection 2002 - 2002

The selection of Internet-based art for the 2002 Biennial strives to give an impression of the variety of forms that net art can take and of the multiple themes that have emerged over the years. These forms range from alternative browsers and
PAAL, StefanKAMMÜLLER, ReinerFREISLEBEN, BerndA Cross-Platform Application Environmentfor Nomadic Desktop Computingpublished on netzspannung.org:http://netzspannung.org/about/mars/projects/pdf/awake-2004-7-en.pdf14 March 2005First published: Proc 2004

Paal, Stefan et al. PAAL, Stefan KAMMÜLLER, Reiner FREISLEBEN, Bernd A Cross-Platform Application Environment for Nomadic Desktop Computing published on netzspannung.org: http://netzspannung.org/about/mars/projects/pdf/awake-2004-7-en.pdf 14 March
Giselle Beiguelman

Giselle Beiguelman is a media artist and Professor at the School of Architecture and Urbanism of the University of Sao Paulo (FAU-USP). Her work include interventions in public spaces, networked projects and mobile art applications, exhibited
Nomadismos Tecnológicos (Dispositivos móviles: usos masivos y prácticas artísticas) 2011

Beiguelman, Giselle and Jorge La Ferla, ed. Nomadismos Tecnológicos (Dispositivos móviles: usos masivos y prácticas artísticas). Buenos Aires: Ariel, 2011.
The Dump: Recycling of Thoughts 2010 - 2010

The Dump - recyclage d’idées est une sorte de laboratoires d’idées artistiques. Les artistes ont été encouragés à prolonger les concepts d’un autre artiste, à utiliser les concepts entreposés sur le blog de Maurice Benayoun. Au lieu de recettes
AL GRANO: Formas de pensar mundos 2014 - 2014

A seed of transgenic corn represents an explosive capsule that on the one hand has the capacity to divide communities and Nations, and on the other hand the ensuing debates have caused movements of conservation and care of ecosystems, the
The making of a nomenclature: José Iges on Radiophonic Art 2020

Sanchez Cardona, LM. The making of a nomenclature: José Iges on Radiophonic Art In Radio Art and Music. Culture, Aesthetics, Politics, edited by Pim Verhulst and Jarmila MildorfLondon: Lexington Books, 2020.
Without Firm Ground – Vilém Flusser and the Arts 2015 - 2015

“Ins Universum der technischen Bilder” or “Lob der Oberflächlichkeit“ – with such programmatic titles Vilém Flusser (1920–1991) advanced to become one of the most influential thinkers to deal with communication and media in the 20th century. Flusser
Featured Artist Giselle Beiguelman 04/2015

.. Her art works reflect on urbanity and community as seen through digital media and have been exhibited worldwide at festivals and museums..

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