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Bots
2000
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2000
Copyrighted memes live in our minds, influence our thoughts, even shape our decisions. We are hosts for these memes, yet we have no say in their design, nor do we have the legal right to alter them. Like sacred icons they are controlled by corporate
New Media in Late 20th-century Art (World of Art)
2003
Rush, Michael. New Media in Late 20th-century Art (World of Art). London, UK: Thames and Hudson, 2003.
Michael Rush
Scholar: Michael Rush
Spatial Sounds (100db at 100km/h)
2000
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2000
Spatial Sounds (100dB at 100km/h) is an interactive audio installation by Marnix de Nijs and Edwin van der Heide. In this engine-powered work, a speaker is mounted onto a rotating arm that is several meters long. Like a watchdog, the machine scans
The Invisible
2015
"The Invisible" is presented as a sculptural performance consisting of eight duplicate custom-built robots all suspended and arranged evenly in a circular pattern from a metal frame. Fedora hats are attached via a multitude of black rods to each
The Sitting Room
2007
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2007
Event: The Sitting RoomInstitution: Ruskin GalleryComment:
Poetry, Language, Code
2012
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2012
Event: Poetry, Language, CodeInstitution: Angelia Ruskin GalleryComment:
Mediaflow
2006
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2006
video
MEDIAFLOW :BROWSER AAND INSTALLATION 2006 Thoughts in the flow, that's what the Media Flow Interface stands for. The entire content of an archive, here netzspannung.org, is visible at a glance. Parallel streams of images and words run along the
Stop Motion
2006
Jennifer McCoy and Kevon McCoy. Stop Motion. Oldenburg: Edith Russ Site Foundation, 2006.
1,4..19
2013
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2014
Animal experimentation is a common practice for people. We have used the standard metaphor of a mouse in a labyrinth to study the mechanics of how reality of shaped. The mouse is rigidly influenced by its own unrealized reality. We observe how it
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