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  • ... information and knowledge, interface, immersive virtual reality and networked agency. In their work Simulation Mosaik Data Klaenge from 1993, they experimented with so called intelligent agent, applications which can conglomerate diaphanous...
  • ... More or less chaotic behavior are managed by monitors. Until the end, the system must administer three different types of data transmitted in both directions, Paris and Montreal : spatial coordinates and explorers orientations ; dialogue and comments...
  • Poetry Machine -
    ... autonomous „bots" into the internet to get appropriate informations. They evaluate the material found and feed the resulting data back into the system. The search process of the „bots" can be followed on a second screen. Visited sites, their valuation and the...
  • ... with Chris Ziegler as the programmer for this work. Three projections comprise the installation, where one video and two data projections are presented as a triptych. The central projection enables the participant to navigate through a 150-image panorama...
  • ... in art, science and design imaging. Her writings were some of the first to outline visualization techniques for scientific data using computer graphic iconic symbols. She coined the term "Renaissance Teams" in 1986 to describe interdisciplinary groups of...
  • ... the Whitney Museum of American Art, she curated several exhibitions—including Cory Arcangel: Pro Tools (2011), Profiling (2007), Data Dynamics (2001) and the net art selection for the 2002 Whitney Biennial—as well as artport, the Whitney Museum’s website devoted...
  • After Tomorrow -
    ... its people passed to a new, post-apocalyptic stage and became the number. The Number uses bio-organisms as sources of unique data useful for search for a new Number which is ever more difficult to find. The Revelationisinthe Number. In this case, chickens...
  • ... 3D. Attracted and inspired by images and sounds, visitors explore the places and perceive fragments of the immense amount of data. Additionally audio and visuals constantly change, they are never the same, always in movement as the place as itself. Just as...
  • ... – the indirect identification of people’s targets and desire s by the users themselves. In fact the spontaneously posted data provides an endless (almost automatic) mutual profiling, enriching and updating the single virtual identities, in a collective self ‐...
  • ... animation in the right window advances to a different image. In this way, the emotional content of the novel is used as data which brings to life still face images. The computer program extracts the passions of Anna to bring to life a subject robbed...