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Ryoji Ikeda
Japan's leading electronic composer Ryoji Ikeda focuses on the minutiae of ultrasonics, frequencies and the essential characteristics of sound itself. His work exploits sound's physical property, its causality with human perception and mathematical
Recollections I-IV
1981
-
1997
Recollections IV is an interactive video installation that invites the participant to move in front of a large video projection screen. As the person moves, his or her image is recorded by a video camera and passed on to a computer with special
ambientROOM
1996
-
1997
The ambientROOM is a Tangible Bits platform which explores the use of ambient media as a means of communicating information at the periphery of human perception. The ambientROOM allows users to be aware of background bits using ambient display media
Intro Act
1995
-
1997
video
"Intro Act" is an interactive computer installation, which was developed by Sommerer & Mignonneau for the 95 Biennale de Lyon and in is now in the permanent collection of the Musee d'Art Contemporain in Lyon France. In "Intro Act" visitors
Analog-Digital-Spiegel und Blind Genes
2004
-
2004
... slight movement. The Blind Genes represent lifes source text,
not
that of the picture. Data sequences found by a search for the term...
Tillie/CybeRoberta
1997
... eyes of Tillie, the Telerobotic Doll or CybeRoberta, viewers
not
only become voyeurs, but they are effectively transformed into...
Flatsun
2011
video
"Flatsun," 2011 Custom-made LED screen, computerized surveillance tracking system, fluid dynamic algorithms (Navier Stokes, fractal flames, reaction diffusion and Perlin noise), aluminium, stainless steel, glass 55.12" / 140 cm diameter 6.3" / 6
Loophole for All
2013
-
2013
video
... Yes, I've always been interested in the
not
ion of the legal as a social construct to control society, often in...
Telematic Dreaming
1992
-
2007
video
... aim was to expand the user's sense of touch; obviously, it was
not
possible to touch the other virtual bedmate, but one experienced...
PULSATION
2007
... art is an imitation of nature. This idea affirms that art is
not
only a production of aesthetic, but also of ontological, gnostic,...
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