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The Waiting Room
2002
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2002
"The Waiting Room" is a virtual space that 50 users share through the Internet. The visitors to the space are strangers, united by the software, the Internet, and the artwork itself. In this space the visitor becomes a participant in a moving
Push /Pull
2002
In the installation Push / Pull, by Edwin van der Heide and Marnix de Nijs, visitors can throw their full bodyweight into huge hovercraft-like objects. Each player has their own playing field with their own interactive hovercraft and yet the
Absolutismus und Exzentrik. Die Kunst des Entschwindens. (Assolutismo ed Eccentricita L'Arte dello Svanire.)
1991
Matt, Gerald and Wolfgang Fetz, ed. Absolutismus und Exzentrik. Die Kunst des Entschwindens. (Assolutismo ed Eccentricita L'Arte dello Svanire.). Bolzano: Bozen Galerie Museum, 1991.
Absolutismus und Exzentrik. Die Kunst des Entschwindens
1992
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1992
Event: Absolutismus und Exzentrik. Die Kunst des EntschwindensInstitution: Museo CasabiancaComment:
Absolutismus und Exzentrik. Die Kunst des Entschwindens
1993
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1993
Event: Absolutismus und Exzentrik. Die Kunst des EntschwindensInstitution: Centro TecnopolisComment:
Absolutismus und Exzentrik. Die Kunst des Entschwindens
1993
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1993
Event: Absolutismus und Exzentrik. Die Kunst des EntschwindensInstitution: Galleria d' Arte ContemporaneaComment:
Smoke Screen Cipher, The Trap Interiors series
2009
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2013
Unsorted cipher absorbed in copiousness.
The pavillion of post-contempary curating: +MUPCA
2009
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2009
Museum of Post-Contemporary Art (MuPCA) in The Dump Paris est une ville qui semble croire à un déterminisme calendaire qui affecterait l’histoire de l’art et plus encore l’architecture de sa conservation. Orsay: un musée du XIXe siècle, le Centre
framework f5x5x5
2007
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2009
Framework is a kinetic light sculpture constituted by five modules. Each of these modules is constituted of 5 horizontal and 5 vertical square elements, establishing a grid of 5x5x5 =125 frames. This resolution writing is present in the project
Unexpected Growth
2018
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2019
Perturbations in the natural order have torn the fabric of the space-time continuum, and unexpected growths are seeping into our world - perhaps from our own future. Augmented reality apps transform our mobile devices into "ARscopes;" allowing us to
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