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Mobile Feelings l
2002
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2003
video
2002/03 tangible communication device "Mobile Feelings" is an artistic project that explores the ambivalence of sharing personal information with an anonymous audience. Instead of communication via voice or images to people we know, "Mobile
AL GRANO: Formas de pensar mundos
2014
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2014
AL GRANO: Formas de pensar Mundos, 2014, solo exhibition (images above and below) at the Centro de Museos de la Universidad de Caldas, commissioned by the Festival de la Imagen 2014, in Manizales, Colombia. A seed of transgenic corn represents an
Retrato Suposto- Rosto Roto
1988
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1988
Telecommunications event between Rio de Janeiro and São Paulo uniting fax and live TV, 1988. Connecting the public medium of television with the private medium of the fax this work created a system of feedback based on the continuous exchange and
Dust
2009
In his new work, Dust, DeMarinis explores facial similarities, pairs of faces, and the abstraction of images into the dust. DeMarinis presents a fragment of this collection of likeness-pairs, scanned sequentially into the light-memory of
Digital Wave
1998
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1998
How might we connect with ‘intangible’ digital technologies in ways we understand and can touch? Digital Wave is a large-scale interactive digital installation examining spatial movement and energy flow in a hands-on, interactive artwork measuring 3
Frames
1999
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1999
Grahame Weinbren's Frames is an interactive, three-screen projection work, using infra-red sensor arrays to detect user input, combined with randomly accessible video under computer control. It was commissioned by the NTT InterCommunications
Unformed Symbols
2006
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2006
Custom-made table with loud speakers, data projector, PlayStation 3 The deck of cards laid out on the table seems to separate and fly off of their own accord, moving over the surface and settling into new patterns and positions. In Unformed
Valise in an iPod
2006
Valise in an iPod follows after Duchamp's Readymade mini-museum, "Box in Valise" ( 1935-41 ). Valise in an iPod plays with the tension between the mass object and the reproducibility of the digital object, the promotional nature of consumer branding
SELF-PORTRAIT – CAMERA ORALIS
2012
Digital print on plexiglass Variable dimensions This series of photographs was produced using a particular form of camera obscura created by the artist’s mouth. Technically the images are based on the use of a small piece of photosensitive paper
1000 Platitudes
2003
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2003
1000 PLATITUDES consists of large photomontages and one video documentary, which is shown on a plasma screen. Words commonly used to describe the generic globalized city; --each letter of the alphabet was projected on a different building using the
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