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Recombinant Figure
1986
-
1986
Digital video installation 1 monitor colour, silent An interactive single monitor work with one computer, using simulated recombinant genetic algorithms. The viewer sees themselves reflected in a maze of mirrors within the work whilst the
Pictures
1988
... animation are i
den
tical; the circle is...
Rigid Waves
1992
-
1993
video
... system, a hid
den
camera within the...
Punishment 1
2011
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2012
The landscape imagery in the photographs and videos of the Punishment series recall the paintings of the Romantic period: craggy mountains, deep gorges, the sea, and mountain lakes. These are large- format, classical motifs of nature, in which one
Mónica Rikić
... EMARE artistic resi
den
cy in QUT – The Cube in...
Profilneurose
2004
-
2004
'A profile like a witch' – I often thought when looking in the mirror, or when my shadow flits past me. Cosmetic surgery promises a remedy. But does that make us happier, better, more beautiful, more lovable? First the nose, then the chin, a bit
Nacho Frades
In my work I want to describe worlds that only exists in my mind, I want to explore this worlds created by the inner mind, they are mainly landscapes of lonely places, where I am the only person in the work, the person that sees them, the observer.
Roman Verostko
"Roman Verostko, a founding member of the algorists, has practiced drawing and painting since graduating from the Art Institute of Pittsburgh in 1949. Reflecting on well over a half century of his work he sees continuity between drawing with his
She Who Sees The Unknown: Kabous, The Right Witness, and The Left Witness
2019
She Who Sees The Unknown: Kabous, The Right Witness, and The Left WitnessArtist: Morehshin AllahyariComment:
She Who Sees The Unknown: Kabous, The Right Witness, and The Left Witness
2019
RADIANCE. She Who Sees The Unknown: Kabous, The Right Witness, and The Left Witness https://www.radiancevr.co/artists/morehshin-allahyari/.
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