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Human Flesh Line
2013
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2014
Video-makers frequently use a tool called vectorscope to measure frames saturation and hue. The color balance of a film is based on a line technically called flesh line, where all the human tones arrange on. It’s is very interesting how, unlike
The Object Stares Back: On the Nature of Seeing
1997
Elkins, James. The Object Stares Back: On the Nature of Seeing. San Diego, California: Harcourt Brace Jovanovich, 1997.
Three Junctures of Remix
2014
Navas, Eduardo and Giselle Beiguelman and Mark Amerika and Arcángel Constatini and Elisa Kreisinger, ed. Three Junctures of Remix. Vol.14. gallery@calit2 exhibition catalogs, San Diego: UCSD, 2014.
Monumedia
1999
Event: MonumediaInstitution: Museo Diego Aragona Pignatelli CortesComment:
WEIGHING...and WANTING
2001
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2001
Event: WEIGHING...and WANTINGInstitution: Museum of Contemporary Art San DiegoComment:
Museo Diego Aragona Pignatelli Cortes
San Diego Convention Center
Museum of Contemporary Art San Diego
Diego Mellado
Artist: Diego MelladoComment:
MULTIPLE voice/vision
2012
The installation MULTIPLE voice/vision is the output of a research project in the arts, with as focus how friction between multiple layers of sound and vision can be a trigger for embodied perception. A multitrack registration—for both sound and
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