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  • BODYFRACTION
    video, 7.40’ The video Bodyfraction parallels microscopic images of fragments of the artist’s body (tooth enamel, skin, nails, hair etc.) with recordings of drawings and light-sensitive objects created on their basis. Drawings were digitally
  • FRACTAL
    Mirror glazing on glass (dim: 120 x 80 cm), light projection and reflection The light work Fractal is part of a series of works dealing with the idea of the ‘transparent body’. Formally the work is based on a radiological image of the brain, the use
  • Homo Insectus video
    Homo Insectus an interactive installation Developed for the Ullens Foundation © 2020, Laurent MIGNONNEAU & Christa SOMMERER Insects are an essential element of the biosphere. However, due to pollution and the widespread use of chemicals, many insect
  • SENSITIVE WORLDS
    Kisseleva Olga and Manovich Lev and Formis Barbara. SENSITIVE WORLDS. PARIS: CDA, 2014.
  • Art Futura 2005:Living Objects. Sensitive Spaces -
    Event: Art Futura 2005:Living Objects. Sensitive SpacesInstitution: Art FuturaComment:
  • Sensitive worlds -
    Event: Sensitive worldsInstitution: CDAComment:
  • Spring up Ⅱ-Coexistence -
    Spring up II – Coexistence serves as an evolutionary product of the sound-sensitive installation of Spring up – it is a replication of its DNA. This continuation of life is just like cell division, the fundamental process of organism growth and
  • "Sensitive Contacts" / Telfair Museum of Art / Jepson Center for the Arts -
    Event: "Sensitive Contacts" / Telfair Museum of Art / Jepson Center for the ArtsInstitution: The Wrong BiennaleComment:
  • Touch-Sensitivity and Other Forms of Subversion: Interactive Artwork
    Hershman, Lynn. Touch-Sensitivity and Other Forms of Subversion: Interactive Artwork Leonardo 26, no. 5 (1993): 431-436.
  • Touch-Sensitivity and other Forms of Subversion: Interactive Artwork
    Hershman, Lynn. Touch-Sensitivity and other Forms of Subversion: Interactive Artwork In Women, Art, and Technology, edited by Judy Malloy, 192-205. Cambridge, MA: MIT Press, 2003.
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