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  • Geolocative performance simultaneously staged in the street and in the theater. The public sits in a tent, on which text messages of an urban passer-by / actor are manipulated by movements of a dancer outside the tent. Surveillance technologies, GPS
  • Geolocative performance simultaneously staged in the street and in the theater. The public sits in a tent, on which text messages of an urban passer-by / actor are manipulated by movements of a dancer outside the tent. Surveillance technologies, GPS
  • Lipton, Leonard. Now Step into a Movie: Sensorama Popular Photography 61-62 (July 1964): 114, 116.
  • Michelin, Simone. O Centro do Crisol In Redes Sensoriais: Arte, Ciencia e Tecnologia, edited by Katia Maciel and André Parente, 107-120. Rio de Janeiro, Brazil: Editora Contracapa, 2003.
  • Maciel, Katia; Parente, Andre and Simone Michelin, ed. Redes Sensoriais: Arte, Ciência e Tecnologia. Essay: O Centro do Crisol.. ISBN 85-86011-74-6, Rio de Janeiro: Editora Contracapa, 2003.
  • Maciel, Katia; Parente, Andre and Simone Michelin, ed. Redes Sensoriais: Arte, Ciência e Tecnologia. Essay: O Centro do Crisol.. ISBN 85-86011-74-6, Rio de Janeiro: Editora Contracapa, 2003.
  • Breath
    Human breathing is a complicated mechanism that can be influenced so that people changes their peed of breathing. Breath is a virtual space in which the spectator experiences in a cybernetic world presenting images how breath mechanism can be
  • A-Positive -
    A-positive, a dialogical event created by Ed Bennett and myself, probes the delicate relationship between the human body and emerging new breeds of hybrid machines that incorporate biological elements and from these elements extract sensorial or
  • Event: Touch the VirtualInstitution: SENSORIAL: Body, Media and the Relational WorldComment:
  • Bureaud, Annick. Typologie des interfaces artistiques In Esthétique des Arts Médiatiques. Interfaces et sensorialité, edited by Louise Poissant, 175. Québec: Presses de l'Université du Québec, 2003.