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Zapp, Andrea. A Sense of Weightlessness In Urban Cycles, edited by Galina Dimitrova and Anneke Pettican and Steve Symons, 42-50. Manchester, UK: i3 Publications, 2003.

Zapp, Andrea. Networked Narrative Environments In ACM Siggraph Computer Graphics Conference/Networked Performance: How Does Art Affect Technology and Vice Versa, Los Angeles, CA: 2005.

Zapp, Andrea. Networked Narrative Environments as Imaginary Spaces of Being. Manchester, Liverpool: Manchester Metropolitan University and Foundation for Art and Creative Technology, FACT, 2004.

Davies, Char and John Harrison. Osmose: Towards Broadening the Aesthetics of Virtual Reality Computer Graphics (ACM SIGGRAPH) 30, no. 4 (1996): 25-28.

Weibel, Peter. Perspektiven der Computerkunst: Gespräch mit Heinrich Klotz und Florian
Rötzer In Künstliche Spiele, edited by Georg Hartwagner and Stefan Igelhaut and Florian Rötzer, 118-137. München: Boer Verlag, 1993.

Weibel, Peter. Medienkunst, Gewalt, Staat und Subversion. Ein Gespräch mit Rudolf
Maresch Symptome, Zeitschrift für epistemische Baustellen 12 (1993): 39-47 and 79f.

Deepwell, Katy. Reverie, Osmose and Ephémère: Dr. Carol Gigliotti interviews Char
Davies n.paradoxa, international feminist art journal 9 (2002): 64-73.

Albertini, Rosanna. Un art fait de mémoire Esthétique des Arts Médiatiques 2 (1995).

Cobb, Jennifer. Cybergrace: The Search for God in the Digital World. New York: Crown Publishing Group, 1998.

Sturken, Marita and Lisa Cartwright. Practices of Looking: An Introduction to Visual Culture. Oxford, UK: Oxford University Press, 2001.