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  • Autopoeisis video
    ... beings are seen as systems that produce themselves, or regenerate,...
  • Turnstile I
    Turnstile I connected a New York City Subway turnstile in Times Square to an identical turnstile placed in the gallery space. When a person passed through the turnstile in Times Square the arm of the turnstile in the gallery would turn in the
  • Here and There video
    A telematic performance where the movements of a sensor glove control video, which is reacting to sound from a remote location. The sound is reacting back to the video.
  • Sensor-Based Manipulation Planning as a Game with Nature
    Goldberg, Ken and Matthew T. Mason and Russell H. Taylor. Sensor-Based Manipulation Planning as a Game with Nature In Robotics Research, edited by R. Bolles and B. RothCambridge, MAS: MIT Press, 1987.
  • Monologue 2021 -
    ... between dancers and that between dance and animation are...
  • Myriorama video
    Geolocative performance simultaneously staged in the street and in the theater. The public sits in a tent, on which text messages of an urban passer-by / actor are manipulated by movements of a dancer outside the tent. Surveillance technologies, GPS
  • Myriorama video
    Geolocative performance simultaneously staged in the street and in the theater. The public sits in a tent, on which text messages of an urban passer-by / actor are manipulated by movements of a dancer outside the tent. Surveillance technologies, GPS
  • Now Step into a Movie: Sensorama
    Lipton, Leonard. Now Step into a Movie: Sensorama Popular Photography 61-62 (July 1964): 114, 116.
  • O Centro do Crisol
    Michelin, Simone. O Centro do Crisol In Redes Sensoriais: Arte, Ciencia e Tecnologia, edited by Katia Maciel and André Parente, 107-120. Rio de Janeiro, Brazil: Editora Contracapa, 2003.
  • Redes Sensoriais: Arte, Ciência e Tecnologia. Essay: O Centro do Crisol.
    Maciel, Katia; Parente, Andre and Simone Michelin, ed. Redes Sensoriais: Arte, Ciência e Tecnologia. Essay: O Centro do Crisol.. ISBN 85-86011-74-6, Rio de Janeiro: Editora Contracapa, 2003.
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